From hurried scribbler to pale compositor, and behold, the news is
bawled all over London! Such work as this goes on for ever around the
church of St. Dunstan. Scribblers come and scribblers go; compositors
come to their work young and hopeful, they leave it bent and poisoned,
yet the work goes on. Each day the pace grows quicker, each day some new
means of rapid propagation is discovered, and each day life becomes
harder to live. One morning, perhaps, a scribbler is absent from his
post--“Brain-fever, complete rest; a wreck.” For years his writings have
been read by thousands daily. A new man takes the vacant chair--he has
been waiting more or less impatiently for this--and the thousands are
none the wiser. One night the head compositor presses his black hand to
his sunken chest, and staggers home. “And time too--he's had his turn,”
mutters the second compositor as he thinks of the extra five shillings a
week. No doubt he is right. Every dog his day.
Nearly opposite to the church stands a tall narrow house of dirty red
brick, and it is with this house that we have to do.
At seven o'clock, one evening some years ago--when heads now grey were
brown, when eyes now dim were bright--the Strand was in its usual state
of turmoil. Carriage followed carriage. Seedy clerks hustled past portly
merchants--not their own masters, _bien entendu_, but those of
other seedy clerks. Carriages and foot-passengers were alike going
westward. All were leaving behind them the day and the busy city--some
after a few hours devoted to the perusal of _Times_ and
_Gazette_; others fagged and weary from a long day of dusty books.
Ah! those were prosperous days in the City. Days when men of but a few
years' standing rolled out to Clapham or Highgate behind a pair of
horses. Days when books were often represented by a bank-book and a
roughly-kept day-book. What need to keep mighty ledgers when profits are
great and returns quick in their returning?
As the pedestrians made their way along the narrow pavement some of them
glanced at the door of the tall red-brick house and read the inscription
on a brass plate screwed thereon. This consisted of two mystic words:
_The Beacon_. There was, however, in reality, no mystery about it.
The _Beacon_ was a newspaper, published weekly, and the clock of
St. Dunstan's striking seven told the end of another week. The
publishing day was past; another week with its work and pleasure was to
be faced.
From early morning until six o'clock in the evening this narrow doorway
and passage had been crowded by a heaving, swearing, laughing mass of
more or less dilapidated humanity interested in the retail sale of
newspapers. At six o'clock Ephraim Bander, a retired constable, now on
the staff of the _Beacon_, had taken his station at the door, in
order to greet would-be purchasers with the laconic and discouraging
words: “Sold hout!”
Public-domain text, read in full here on John Shaqi.
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