And the police? There were only two agents attached to the immediate
neighbourhood, and they were smoking cigars and drinking absinthe in two
separate cellars, with the door locked on the outside. They were
prisoners of war of the most resigned type. The room in which stood the
Citizen Morot was dark, and wisely so. For the Parisian street
politician can make very pretty practice of a lighted petroleum-lamp
with an empty bottle or half a brick. The window was wide open, and the
wooden shutters were hooked back.
The attitude of the man was interested and slightly self-satisfied. It
suggested that of the manager of a theatre looking down from an
upper-tier box upon a full house and a faultless stage. At the same time
he was keeping what sailors call a very “bright look-out” towards either
end of the street. From his elevated position he was able to see over
the barricades, and he watched with intense interest the movements of
two women (or perhaps men disguised as such) who stood in the centre of
the street just beyond each obstruction.
There was something dramatic in the motionless attitude of these two
women, standing guard alone in the deserted street, on the wrong side of
the barricades.
At times Morot leant well out of the window and listened. Then he stood
back again and contemplated the crowd.
Each orator was illuminated by a naphtha “flare,” which, being held in
unsteady hands, flickered and wavered, casting strange gleams of light
over the evil faces upturned towards it. At times one speaker would
succeed in raising a laugh or extracting a groan, and when he did so
those listening to his rivals turned and surged towards him. There was
plenty of movement. It was what the newspapers call an animated
scene--or a disgraceful scene--according to their political bias.
The Citizen Morot could not hear the jokes nor distinguish the cause of
the groaning. But he did not seem to mind much. The speeches were not of
the description to be given in full in the morning papers. There were,
fortunately, no reporters present. It was the frank eloquence of the
slaughter-house--the unclad humour of the market.
Suddenly one of the women--she who was posted at the southern end of the
street--raised both her arms, and the Citizen leant far out of the
window. He was very eager, and his hawk-like eyes blinked perpetually.
His hand was raised to his mouth, and the lights of the orators gleamed
on something that he held in his fingers--something that looked like
silver.
Public-domain text, read in full here on John Shaqi.
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