The Slaves of Society: A Comedy in Covers — John Shaqi
The Slaves of Society: A Comedy in CoversUpward, Allen
General
The Slaves of Society: A Comedy in Covers
Upward, Allen
England -- Social life and customs -- Fiction; Satire
Hammond looked about him with a sense of intrusion, as he found himself
for the first time in Belle Yorke’s home. It was utterly unlike
anything he had expected to find. Belle Yorke lived in that part of
Hammersmith which had not yet succeeded in covering itself with flats
and calling itself West Kensington. The house outside was small and
unpretentious; but so are the outsides of many houses which are gay
enough within. Miss Yorke’s appearance on the boards was too recent
for her yet to have furnished a miniature palace and set up a brougham
on the proceeds of the public favor. But the domestic, old-fashioned
air which pervaded the whole place came on Hammond as a surprise and a
rebuke.
The servant who had just shown him in asked a question which further
opened his eyes.
“Would you like to see Mrs. Yorke, sir?”
Hammond started.
“Is that Miss Yorke’s mother?”
“Yes, sir.”
“Does she live here?”
The servant opened her eyes.
“Lor’, yes, sir! This is ’er ’ouse!”
Hammond considered for a minute.
“Well, you can tell Mrs. Yorke I am here, if you like.”
The servant nodded and went out, leaving him to his reflections.
In love, as in war, there is an armed neutrality when the period
of friendship has passed away, but neither side is yet ready for a
declaration. Just such a stage had been reached in the joint history of
John Hammond and Belle Yorke.
He had met her in Bohemia, that pleasant country which the passing
tourist sees only in its brightest garb, when the trees are green
in the valleys and the vines are ripening in the warm sunshine. The
manners of Bohemia are freer than those of other lands, and among
that friendly folk the course of acquaintanceship between a man and a
woman is not curbed and governed and interpreted quite as it is in the
dominions of society.
So the millionaire had drifted into a friendship with the music-hall
singer without any after-thought; and when the after-thought had
gradually grown up of its own accord, he had found it the most
comfortable plan to shut his eyes to it and make believe it was not
there.
If he had been ten years younger, the Marchioness of Severn might have
despaired of her son-in-law. But he had come to that age when life
begins to change its aspect; when the white blossom of romance with
which it tempts the eye of youth begins to shed its petals, and the red
fruit of ambition is disclosed. John Hammond was still young enough to
love, but he was old enough to count the cost.
Public-domain text, read in full here on John Shaqi.
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