The Slaves of Society: A Comedy in CoversUpward, Allen
General
The Slaves of Society: A Comedy in Covers
Upward, Allen
England -- Social life and customs -- Fiction; Satire
It is not till a gigantic public evil begins to affect us personally
that we become really in earnest for its redress. Alderman Dobbin had
long marked the stealthy encroachment of ritual in the Church from
afar with inward misgiving. But when the arising of a new vicar of the
most lawless school brought the mischief to the door of the alderman’s
own pew, when the audacious cleric presumed to burn frankincense or
some such idolatrous drug under the alderman’s own nostrils, then, in
his own words, he realized that we were on the verge of a revolution.
It was fortunate indeed for the offender that the ordinary justice
of the peace has no jurisdiction in ecclesiastical causes. Alderman
Dobbin did not brawl in the church--such a man could not brawl; but
he wrote a letter to the paper, and he intimated to his vicar in the
privacy of the vestry that he should reconsider his attitude towards
disestablishment.
To the culprit, standing on the great peaks of Catholic verity,
clasping hands with sixty generations of apostles, fathers, saints, and
bishops, his rebellious church-warden naturally mattered no more than a
gnat buzzing round the altar. His spiritual predecessors had cast down
emperors from their thrones, and given away largess of kingdoms. Was
he to surrender the Œcumenical splendors of the Church at the bidding
of an obscure suburban tradesman? If this impertinent boot-maker
represented the feelings of the laity, so much the worse for the laity.
The Church could get on without _them_, but not without its apostolic
priesthood.
Such disdain, to the worthy alderman, was at once an outrage and a
revelation. It is possible that there are social circles in which even
an alderman is not removed beyond the reach of rivalry; but in the
meridian of Tooting, where Alderman Dobbin had passed his life, and
where his high office, together with his equally high moral character,
had hitherto secured him universal deference, he felt himself to be an
important personage. After all, importance is a question of standpoint.
Every one has some one to look up to him. Though you be but a youth of
lowly birth, engaged in mercantile pursuits, with a stipend of no more
than thirty weekly shillings, yet to the landlady who tolls you in a
moiety of that sum you are a power whose favor is to be conciliated,
and whose wrath is to be dreaded. To the drudge in the basement who
blacks your boots and watches you through the area railings as you
issue forth of a morning you are as a god moving on Olympus; the
conductor who takes you to your work in his omnibus holds you for an
undoubted member of the aristocracy; and the drunken artisan on the
roof, earning his pound a day on every day that he can spare from the
public-house, hates you for your pride and luxury.
Public-domain text, read in full here on John Shaqi.
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