The Sleeping Bard; Or, Visions of the World, Death, and Hell — John Shaqi
The Sleeping Bard; Or, Visions of the World, Death, and HellWynne, Ellis
General
The Sleeping Bard; Or, Visions of the World, Death, and Hell
Wynne, Ellis
Allegories; Christian life; Religious literature, Welsh; Welsh literature -- 18th century; Welsh literature -- Translations into English
Tired of this insiped folly, I went to another chamber, where
there was a nobleman, who had sent for a bard from the street of Pride,
to compose a eulogistic strain on his angel, and a laudatory ode on
himself; the bard was haranguing upon his talent--"I can," said he,
"compare her to all the red and white under the sun, and say that her
hair is a hundredfold more yellow than gold; and as for your ode, I can
carry your genealogy through the bowels of an infinity of knights and
princes, and through the waters of the deluge, even as high up as Adam."
"Lo!" said I, "here is a bard who is a better inventor than myself."
"Come away, come away," said the angel, "these people are thinking to
bamboozle the woman, but when they go to her, they will be sure to obtain
from her as good as they bring."
On leaving these people, we caught a glimpse of some cells, where more
obscene practices were going on than modesty will suffer me to mention,
which caused my companion to snatch me away in wrath, from this palace of
whimsicality and wantonness, to the treasury of the princess, (because we
went where we pleased, in spite of doors and locks.) There we beheld a
multitude of beautiful damsels, all sorts of drink, fruit, and dainties;
all kinds of instruments and books of music, harps, pipes, poems, carols,
&c.; all kinds of games of chance, draught-boards, dice-boxes, dice,
cards, &c.; all kinds of models of banquets and mansions, figures of men,
contrivances and amusements; all kinds of waters, perfumes, colors and
salves to make the ugly handsome, and the old look young, and to make the
harlot and her putrid bones sweet for a time.
Public-domain text, read in full here on John Shaqi.
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