The snow-image, and other twice-told talesHawthorne, Nathaniel
General
The snow-image, and other twice-told tales
Hawthorne, Nathaniel
Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories, American
Again, and still more earnestly than before, Ernest examined the poet’s
features; then turned towards the Great Stone Face; then back, with an
uncertain aspect, to his guest. But his countenance fell; he shook his
head, and sighed.
“Wherefore are you sad?” inquired the poet.
“Because,” replied Ernest, “all through life I have awaited the
fulfilment of a prophecy; and, when I read these poems, I hoped that it
might be fulfilled in you.”
“You hoped,” answered the poet, faintly smiling, “to find in me the
likeness of the Great Stone Face. And you are disappointed, as formerly
with Mr. Gathergold, and Old Blood-and-Thunder, and Old Stony Phiz.
Yes, Ernest, it is my doom. You must add my name to the illustrious
three, and record another failure of your hopes. For—in shame and
sadness do I speak it, Ernest—I am not worthy to be typified by yonder
benign and majestic image.”
“And why?” asked Ernest. He pointed to the volume. “Are not those
thoughts divine?”
“They have a strain of the Divinity,” replied the poet. “You can hear
in them the far-off echo of a heavenly song. But my life, dear Ernest,
has not corresponded with my thought. I have had grand dreams, but they
have been only dreams, because I have lived—and that, too, by my own
choice—among poor and mean realities. Sometimes even—shall I dare to
say it?—I lack faith in the grandeur, the beauty, and the goodness,
which my own words are said to have made more evident in nature and in
human life. Why, then, pure seeker of the good and true, shouldst thou
hope to find me, in yonder image of the divine?”
The poet spoke sadly, and his eyes were dim with tears. So, likewise,
were those of Ernest.
At the hour of sunset, as had long been his frequent custom, Ernest was
to discourse to an assemblage of the neighboring inhabitants in the
open air. He and the poet, arm in arm, still talking together as they
went along, proceeded to the spot. It was a small nook among the hills,
with a gray precipice behind, the stern front of which was relieved by
the pleasant foliage of many creeping plants that made a tapestry for
the naked rock, by hanging their festoons from all its rugged angles.
At a small elevation above the ground, set in a rich framework of
verdure, there appeared a niche, spacious enough to admit a human
figure, with freedom for such gestures as spontaneously accompany
earnest thought and genuine emotion. Into this natural pulpit Ernest
ascended, and threw a look of familiar kindness around upon his
audience. They stood, or sat, or reclined upon the grass, as seemed
good to each, with the departing sunshine falling obliquely over them,
and mingling its subdued cheerfulness with the solemnity of a grove of
ancient trees, beneath and amid the boughs of which the golden rays
were constrained to pass. In another direction was seen the Great Stone
Face, with the same cheer, combined with the same solemnity, in its
benignant aspect.
Public-domain text, read in full here on John Shaqi.
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