American wit and humor; Newspapers -- Sections, columns, etc. -- Excerpts
Bert Leston Taylor (known the country over as "B. L. T.") was the first
of our day's "colyumists"--first in point of time, and first in point of
merit. For nearly twenty years, with some interruptions, he conducted "A
Line-o'-Type or Two" on the editorial page of the Chicago _Tribune_. His
broad column--broad by measurement, broad in scope, and a bit broad, now
and again, in its tone--cheered hundreds of thousands at the
breakfast-tables of the Middle West, and on its trains and trolleys. As
the "Column" grew in reputation, "making the Line" became almost a
national sport. Whoever had a happy thought, whoever could handily turn
a humorous paragraph or tune a pointed jingle, was only too glad to
attempt collaboration with B. L. T. Others, possessing no literary
knack, chanced it with brief reports on the follies or ineptitudes of
the "so-called human race." Some of them picked up their matter on their
travels--these were the "Gadders." Others culled oddities from the
provincial press, and so gave further scope to "The Enraptured
Reporter," or offered selected gems of _gaucherie_ from private
correspondence, and thus added to the rich yield of "The Second Post."
Still humbler helpers chipped in with queer bits of nomenclature,
thereby aiding the formation of an "Academy of Immortals"--an
organization fully officered by people with droll names and always
tending, as will become apparent in the following pages, to enlarge and
vary its roster.
All these contributors, as well as many other persons who existed
independently of the "Line," lived in the corrective fear of the
"Cannery," that capacious receptacle which yawned for the trite word and
the stereotyped phrase. Our language, to B. L. T., was an honest, living
growth: deadwood, whether in thought or in the expression of thought,
never got by, but was marked for the burning. The "Cannery," with its
numbered shelves and jars, was a deterrent indeed, and anyone who
ventured to relieve himself as "Vox Populi" or as a conventional
versifier, did well to walk with care.
Over all these aids, would-be or actual, presided the Conductor himself,
furnishing a steady framework by his own quips, jingles and
philosophizings, and bringing each day's exhibit to an ordered unity.
The Column was more than the sum of its contributors. It was the sum of
units, original or contributed, that had been manipulated and brought to
high effectiveness by a skilled hand and a nature wide in its sympathies
and in its range of interests.
Taylor had the gift of opening new roads and of inviting a willing
public to follow. Or, to put it another way, he had the faculty of
making new moulds, into which his helpers were only too glad to pour
their material. Some of these "leads" lasted for weeks; some for months;
others persisted through the years. The lifted wand evoked, marshalled,
vivified, and the daily miracle came to its regular accomplishment.
Public-domain text, read in full here on John Shaqi.
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