The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
But it was necessary to wait for the float of the Virgin, which was
preceded by persons dressed like phantoms, who frightened the little
children so that there were heard the cries and screams of terrified
babies. Yet in the midst of that dark mass of gowns, hoods, girdles,
and nuns' veils, from which arose a monotonous and snuffling prayer,
there were to be seen, like white jasmines or fresh sampaguitas among
old rags, twelve girls dressed in white, crowned with flowers, their
hair curled, and flashing from their eyes glances as bright as their
necklaces. Like little genii of light who were prisoners of specters
they moved along holding to the wide blue ribbons tied to the Virgin's
car and suggesting the doves that draw the car of Spring.
Now all the images were in attitudes of attention, crowded one against
the other to listen to the verses. Everybody kept his eyes fixed on
the half-drawn curtain until at length a sigh of admiration escaped
from the lips of all. Deservedly so, too, for it was a boy with wings,
riding-boots, sash, belt, and plumed hat.
"It's the alcalde!" cried some one, but this prodigy of creation began
to recite a poem like himself and took no offense at the comparison.
But why record here what he said in Latin, Tagalog, and Spanish, all
in verse--this poor victim of the gobernadorcillo? Our readers have
enjoyed Padre Damaso's sermon of the morning and we do not wish to
spoil them by too many wonders. Besides, the Franciscan might feel
hard toward us if we were to put forward a competitor, and this is
far from being the desire of such peaceful folk as we have the good
fortune to be.
Afterwards, the procession moved on, St. John proceeding along his
vale of tears. When the Virgin passed the house of Capitan Tiago a
heavenly song greeted her with the words of the archangel. It was
a voice tender, melodious, pleading, sighing out the _Ave Maria_
of Gounod to the accompaniment of a piano that prayed with it. The
music of the procession became hushed, the praying ceased, and even
Padre Salvi himself paused. The voice trembled and became plaintive,
expressing more than a salutation--rather a prayer and a protest.
Terror and melancholy settled down upon Ibarra's heart as he listened
to the voice from the window where he stood. He comprehended what
that suffering soul was expressing in a song and yet feared to ask
himself the cause of such sorrow. Gloomy and thoughtful, he turned
to the Captain-General.
"You will join me at the table," the latter said to him. "There we'll
talk about those boys who disappeared."
"Could I be the cause?" murmured the young man, staring without seeing
the Captain-General, whom he was following mechanically.
CHAPTER XXXIX
Doña Consolacion
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account