The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
Why were the windows closed in the house of the alferez? Where
were the masculine features and the flannel camisa of the Medusa or
Muse of the Civil Guard while the procession was passing? Had Doña
Consolacion realized how disagreeable were her forehead seamed with
thick veins that appeared to conduct not blood but vinegar and gall,
and the thick cigar that made a fit ornament for her purple lips,
and her envious leer, and yielding to a generous impulse had she
wished not to disturb the pleasure of the populace by her sinister
appearance? Ah, for her generous impulses existed in the Golden
Age! The house, showed neither lanterns nor banners and was gloomy
precisely because the town was making merry, as Sinang said, and but
for the sentinel walking before the door appeared to be uninhabited.
A dim light shone in the disordered sala, rendering transparent
the dirty concha-panes on which the cobwebs had fastened and the
dust had become incrusted. The lady of the house, according to
her indolent custom, was dozing on a wide sofa. She was dressed as
usual, that is, badly and horribly: tied round her head a pañuelo,
from beneath which escaped thin locks of tangled hair, a camisa
of blue flannel over another which must once have been white, and
a faded skirt which showed the outlines of her thin, flat thighs,
placed one over the other and shaking feverishly. From her mouth
issued little clouds of smoke which she puffed wearily in whatever
direction she happened to be looking when she opened her eyes. If at
that moment Don Francisco de Cañamaque [107] could have seen her, he
would have taken her for a cacique of the town or the _mankukúlam_,
and then decorated his discovery with commentaries in the vernacular
of the markets, invented by him for her particular use.
That morning she had not attended mass, not because she had not so
desired, for on the contrary she had wished to show herself to the
multitude and to hear the sermon, but her spouse had not permitted
her to do so, his refusal being accompanied as usual by two or three
insults, oaths, and threats of kicking. The alferez knew that his
mate dressed ridiculously and had the appearance of what is known as a
"_querida_ of the soldiers," so he did not care to expose her to the
gaze of strangers and persons from the capital. But she did not so
understand it. She knew that she was beautiful and attractive, that she
had the airs of a queen and dressed much better and with more splendor
than Maria Clara herself, who wore a tapis while she went in a flowing
skirt. It was therefore necessary for the alferez to threaten her,
"Either shut up, or I'll kick you back to your damned town!" Doña
Consolacion did not care to return to her town at the toe of a boot,
but she meditated revenge.
Public-domain text, read in full here on John Shaqi.
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