The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
Never had the dark face of this lady been such as to inspire confidence
in any one, not even when she painted, but that morning it greatly
worried the servants, especially when they saw her move about the house
from one part to another, silently, as if meditating something terrible
or malign. Her glance reflected the look that springs from the eyes of
a serpent when caught and about to be crushed; it was cold, luminous,
and penetrating, with something fascinating, loathsome, and cruel in
it. The most insignificant error, the least unusual noise, drew from
her a vile insult that struck into the soul, but no one answered her,
for to excuse oneself would have been an additional fault.
So the day passed. Not encountering any obstacle that would block her
way,--her husband had been invited out,--she became saturated with
bile, the cells of her whole organism seemed to become charged with
electricity which threatened to burst in a storm of hate. Everything
about her folded up as do the flowers at the first breath of the
hurricane, so she met with no resistance nor found any point or high
place to discharge her evil humor. The soldiers and servants kept away
from her. That she might not hear the sounds of rejoicing outside she
had ordered the windows closed and charged the sentinel to let no one
enter. She tied a handkerchief around her head as if to keep it from
bursting and, in spite of the fact that the sun was still shining,
ordered the lamps to be lighted.
Sisa, as we saw, had been arrested as a disturber of the peace
and taken to the barracks. The alferez was not then present, so
the unfortunate woman had had to spend the night there seated on a
bench in an abandoned attitude. The next day the alferez saw her,
and fearing for her in those days of confusion nor caring to risk a
disagreeable scene, he had charged the soldiers to look after her,
to treat her kindly, and to give her something to eat. Thus the
madwoman spent two days.
Tonight, whether the nearness to the house of Capitan Tiago had brought
to her Maria Clara's sad song or whether other recollections awoke
in her old melodies, whatever the cause, Sisa also began to sing in a
sweet and melancholy voice the _kundíman_ of her youth. The soldiers
heard her and fell silent; those airs awoke old memories of the days
before they had been corrupted. Doña Consolacion also heard them in her
tedium, and on learning who it was that sang, after a few moments of
meditation, ordered that Sisa be brought to her instantly. Something
like a smile wandered over her dry lips.
When Sisa was brought in she came calmly, showing neither wonder nor
fear. She seemed to see no lady or mistress, and this wounded the
vanity of the Muse, who endeavored to inspire respect and fear. She
coughed, made a sign to the soldiers to leave her, and taking down
her husband's whip, said to the crazy woman in a sinister tone,
"Come on, _magcantar icau!_" [108]
Public-domain text, read in full here on John Shaqi.
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