The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"You've got to dance, you Indian--!" The whip swung and whistled.
Sisa let herself fall to the floor and placed both hands on her knees
while she gazed at her tormentor with wildly-staring eyes. Two sharp
cuts of the whip on her shoulder made her stand up, and it was not
merely a cry but a howl that the unfortunate woman uttered. Her thin
camisa was torn, her skin broken, and the blood was flowing.
The sight of blood arouses the tiger; the blood of her victim aroused
Doña Consolacion. "Dance, damn you, dance! Evil to the mother who
bore you!" she cried. "Dance, or I'll flog you to death!" She then
caught Sisa with one hand and, whipping her with the other, began to
dance about.
The crazy woman at last understood and followed the example by
swinging her arms about awkwardly. A smile of satisfaction curled
the lips of her teacher, the smile of a female Mephistopheles who
succeeds in getting a great pupil. There were in it hate, disdain,
jest, and cruelty; with a burst of demoniacal laughter she could not
have expressed more.
Thus, absorbed in the joy of the sight, she was not aware of the
arrival of her husband until he opened the door with a loud kick. The
alferez appeared pale and gloomy, and when he saw what was going on
he threw a terrible glance at his wife, who did not move from her
place but stood smiling at him cynically.
The alferez put his hand as gently as he could on the shoulder of
the strange dancer and made her stop. The crazy woman sighed and sank
slowly to the floor covered with her own blood.
The silence continued. The alferez breathed heavily, while his wife
watched him with questioning eyes. She picked up the whip and asked
in a smooth, soft voice, "What's the matter with you? You haven't
even wished me good evening."
The alferez did not answer, but instead called the boy and said to him,
"Take this woman away and tell Marta to get her some other clothes
and attend to her. You give her something to eat and a good bed. Take
care that she isn't ill-treated! Tomorrow she'll be taken to Señor
Ibarra's house."
Then he closed the door carefully, bolted it, and approached his
wife. "You're tempting me to kill you!" he exclaimed, doubling up
his fists.
"What's the matter with you?" she asked, rising and drawing away
from him.
"What's the matter with me!" he yelled in a voice of thunder, letting
out an oath and holding up before her a sheet of paper covered with
scrawls. "Didn't you write this letter to the alcalde saying that
I'm bribed to permit gambling, huh? I don't know why I don't beat
you to death."
"Let's see you! Let's see you try it if you dare!" she replied with
a jeering laugh. "The one who beats me to death has got to be more
of a man than you are!"
He heard the insult, but saw the whip. Catching up a plate from the
table, he threw it at her head, but she, accustomed to such fights,
dodged quickly and the plate was shattered against the wall. A cup
and saucer met with a similar fate.
Public-domain text, read in full here on John Shaqi.
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