The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"Coward!" she yelled; "you're afraid to come near me!" And to
exasperate him the more, she spat upon him.
The alferez went blind from rage and with a roar attempted to throw
himself upon her, but she, with astonishing quickness, hit him across
the face with the whip and ran hurriedly into an inner room, shutting
and bolting the door violently behind her. Bellowing with rage and
pain, he followed, but was only able to run against the door, which
made him vomit oaths.
"Accursed be your offspring, you sow! Open, open, or I'll break your
head!" he howled, beating the door with his hands and feet.
No answer was heard, but instead the scraping of chairs and trunks as
if she was building a barricade with the furniture. The house shook
under the kicks and curses of the alferez.
"Don't come in, don't come in!" called the sour voice inside. "If
you show yourself, I'll shoot you."
By degrees he appeared to become calm and contented himself with
walking up and down the room like a wild beast in its cage.
"Go out into the street and cool off your head!" the woman continued
to jeer at him, as she now seemed to have completed her preparations
for defense.
"I swear that if I catch you, even God won't save you, you old sow!"
"Yes, now you can say what you like. You didn't want me to go to
mass! You didn't let me attend to my religious duties!" she answered
with such sarcasm as only she knew how to use.
The alferez put on his helmet, arranged his clothing a little, and
went out with heavy steps, but returned after a few minutes without
making the least noise, having taken off his shoes. The servants,
accustomed to these brawls, were usually bored, but this novelty of the
shoes attracted their attention, so they winked to one another. The
alferez sat down quietly in a chair at the side of the Sublime Port
and had the patience to wait for more than half an hour.
"Have you really gone out or are you still there, old goat?" asked
the voice from time to time, changing the epithets and raising the
tone. At last she began to take away the furniture piece by piece. He
heard the noise and smiled.
"Boy, has your master gone out?" cried Doña Consolacion.
At a sign from the alferez the boy answered, "Yes, señora, he's
gone out."
A gleeful laugh was heard from her as she pulled back the bolt. Slowly
her husband arose, the door opened a little way--
A yell, the sound of a falling body, oaths, howls, curses, blows,
hoarse voices--who can tell what took place in the darkness of
that room?
As the boy went out into the kitchen he made a significant sign to
the cook, who said to him, "You'll pay for that."
"I? In any case the whole town will! She asked me if he had gone out,
not if he had come back!"
CHAPTER XL
Right and Might
Public-domain text, read in full here on John Shaqi.
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