The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
Now that we are in San Diego let us visit its cemetery, which is
located in the midst of paddy-fields, there toward the west--not a
city, merely a village of the dead, approached by a path dusty in dry
weather and navigable on rainy days. A wooden gate and a fence half
of stone and half of bamboo stakes, appear to separate it from the
abode of the living but not from the curate's goats and some of the
pigs of the neighborhood, who come and go making explorations among the
tombs and enlivening the solitude with their presence. In the center of
this enclosure rises a large wooden cross set on a stone pedestal. The
storms have doubled over the tin plate for the inscription INRI, and
the rains have effaced the letters. At the foot of the cross, as on
the real Golgotha, is a confused heap of skulls and bones which the
indifferent grave-digger has thrown from the graves he digs, and there
they will probably await, not the resurrection of the dead, but the
coming of the animals to defile them. Round about may be noted signs
of recent excavations; here the earth is sunken, there it forms a low
mound. There grow in all their luxuriance the _tarambulo_ to prick
the feet with its spiny berries and the _pandakaki_ to add its odor
to that of the cemetery, as if the place did not have smells enough
already. Yet the ground is sprinkled with a few little flowers which,
like those skulls, are known only to their Creator; their petals wear
a pale smile and their fragrance is the fragrance of the tombs. The
grass and creepers fill up the corners or climb over the walls and
niches to cover and beautify the naked ugliness and in places even
penetrate into the fissures made by the earthquakes, so as to hide
from sight the revered hollowness of the sepulcher.
At the time we enter, the people have driven the animals away, with the
single exception of some old hog, an animal that is hard to convince,
who shows his small eyes and pulling back his head from a great gap
in the fence, sticks up his snout and seems to say to a woman praying
near, "Don't eat it all, leave something for me, won't you?"
Two men are digging a grave near one of the tottering walls. One
of them, the grave-digger, works with indifference, throwing about
bones as a gardener does stones and dry branches, while the other,
more intent on his work, is perspiring, smoking, and spitting at
every moment.
"Listen," says the latter in Tagalog, "wouldn't it be better for us
to dig in some other place? This is too recent."
"One grave is as recent as another."
"I can't stand it any longer! That bone you're just cut in two has
blood oozing from it--and those hairs?"
"But how sensitive you are!" was the other's reproach. "Just as if
you were a town clerk! If, like myself, you had dug up a corpse of
twenty days, on a dark and rainy night--! My lantern went out--"
His companion shuddered.
Public-domain text, read in full here on John Shaqi.
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