The social contract & discoursesRousseau, Jean-Jacques
Philosophy
The social contract & discourses
Rousseau, Jean-Jacques
Economics; Political science -- Early works to 1800; Social contract
Can it be forgotten that, in the very heart of Greece, there arose
a city as famous for the happy ignorance of its inhabitants, as for
the wisdom of its laws; a republic of demi-gods rather than of men,
so greatly superior their virtues seemed to those of mere humanity?
Sparta, eternal proof of the vanity of science, while the vices, under
the conduct of the fine arts, were being introduced into Athens, even
while its tyrant was carefully collecting together the works of the
prince of poets, was driving from her walls artists and the arts, the
learned and their learning!
The difference was seen in the outcome. Athens became the seat of
politeness and taste, the country of orators and philosophers. The
elegance of its buildings equalled that of its language; on every side
might be seen marble and canvas, animated by the hands of the most
skilful artists. From Athens we derive those astonishing performances,
which will serve as models to every corrupt age. The picture of
Lacedæmon is not so highly coloured. There, the neighbouring nations
used to say, "men were born virtuous, their native air seeming to
inspire them with virtue." But its inhabitants have left us nothing but
the memory of their heroic actions: monuments that should not count for
less in our eyes than the most curious relics of Athenian marble.
It is true that, among the Athenians, there were some few wise men who
withstood the general torrent, and preserved their integrity even in
the company of the muses. But hear the judgment which the principal,
and most unhappy of them, passed on the artists and learned men of his
day.
"I have considered the poets," says he, "and I look upon them as people
whose talents impose both on themselves and on others; they give
themselves out for wise men, and are taken for such; but in reality
they are anything sooner than that."
"From the poets," continues Socrates, "I turned to the artists. Nobody
was more ignorant of the arts than myself; nobody was more fully
persuaded that the artists were possessed of amazing knowledge. I soon
discovered, however, that they were in as bad a way as the poets, and
that both had fallen into the same misconception. Because the most
skilful of them excel others in their particular jobs, they think
themselves wiser than all the rest of mankind. This arrogance spoilt
all their skill in my eyes, so that, putting myself in the place of
the oracle, and asking myself whether I would rather be what I am or
what they are, know what they know, or know that I know nothing, I very
readily answered, for myself and the god, that I had rather remain as I
am.
Public-domain text, read in full here on John Shaqi.
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