The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Martin._ I'd rather ha' died than he turn me away. I'd ha' lost
everything in the world to know that I was true to 'm, like I was
till you looked at me wi' the love in your face. It was a great love
ye gave me--you in your grand hoose wi' your delicate ways. But it's
broke me.
_Janet._ But--it's just the same with us. Just the same as ever it
was.
_Martin._ Aye. But there's no mending, wi' the likes o' him.
_Janet._ What's there to mend? What's there to mend except what's
bound you like a slave all the years? You're free--free for the
first time since you were a lad mebbe. We'll begin again. We'll be
happy--happy. You and me, free in the world! All the time that's
been 'll be just like a dream that's past, a waiting time afore we
found each other--the long winter afore the flowers come out white
and thick on the moors--
_Martin._ Twenty-five years ago he took me.... It's too long to
change.... I'll never do his work no more; but it's like as if he'd
be my master just the same--till I die--
_Janet._ Listen, Martin. Listen to me. You've worked all your life
for him, ever since you were a little lad. Early and late you've
been at the Works--working--working--for him.
_Martin._ Gladly!
_Janet._ Now and then he give you a kind word--when you were wearied
out mebbe--and your thoughts might ha' turned to what other men's
lives were, wi' time for rest and pleasure. You didn't see through
him, you wi' your big heart, Martin. You were too near to see, like
I was till Mary came. You worked gladly maybe--but all the time your
life was going into Rutherfords'--your manhood into the place he's
built. He's had you, Martin,--like he's had me, and all of us. We
used to say he was hard and ill-tempered. Bad to do with in the
house--we fell silent when he came in--we couldn't see for the
little things,--we couldn't see the years passing because of the
days. And all the time it was our lives he was taking bit by
bit--our lives that we'll never get back.... Now's our chance at
last! He's turned us both away, me as well as you. We two he's sent
out into the world together. Free. He's done it himself of his own
will. It's ours to take, Martin--our happiness. We'll get it in
spite of him. He'd kill it if he could.
The cruelty of it, that the Rutherfords never kill with one blow: never
so merciful are they. In their ruthless march they strangle inch by
inch, shed the blood of life drop by drop, until they have broken the
very spirit of man and made him as helpless and pitiful as _Martin_,--a
trembling leaf tossed about by the winds.
A picture of such stirring social and human importance that no one,
except he who has reached the stage of _Martin_, can escape its effect.
Yet even more significant is the inevitability of the doom of the
Rutherfords as embodied in the wisdom of _Mary_, _John's_ wife.
Public-domain text, read in full here on John Shaqi.
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