The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Janet._ Oh, you've no pity.... I was thirty-six. Gone sour.
Nobody'd ever come after me. Not even when I was young. You took
care o' that. Half of my life was gone, well-nigh all of it that
mattered.... Martin loves me honest. Don't you come near! Don't you
touch that!... You think that I'm sorry you've found out--you think
you've done for me when you use shameful words on me and turn me out
o' your house. You've let me out o' jail! Whatever happens to me
now, I shan't go on living as I lived here. Whatever Martin's done,
he's taken me from you. You've ruined my life, you with your getting
on. I've loved in wretchedness, all the joy I ever had made wicked
by the fear o' you.... Who are you? Who are you? A man--a man that
takes power to himself, power to gather people to him and use them
as he wills--- a man that'd take the blood of life itself and put it
into the Works--into Rutherfords'. And what ha' you got by it--what?
You've got Dick, that you've bullied till he's a fool--John, that's
waiting for the time when he can sell what you've done--and you got
me--me to take your boots off at night--to well-nigh wish you dead
when I had to touch you.... Now!... Now you know it!
But for the great love in her heart, _Janet_ could not have found
courage to face her father as she did. But love gives strength; it
instills hope and faith, and kindles anew the fires of life. Why, then,
should it not be strong enough to break the fetters of even
Rutherfords'? Such a love only those famished for affection and warmth
can feel, and _Janet_ was famished for life.
_Janet._ I had a dream--a dream that I was in a place wi' flowers,
in the summer-time, white and thick like they never grow on the
moor--but it was the moor--a place near Martin's cottage. And I
dreamt that he came to me with the look he had when I was a little
lass, with his head up and the lie gone out of his eyes. All the
time I knew I was on my bed in my room here--but it was as if
sweetness poured into me, spreading and covering me like the water
in the tarn when the rains are heavy in the fells.... That's why I
dreamt of him so last night. It was as if all that was best in me
was in that dream--what I was as a bairn and what I'm going to be.
He couldn't help but love me. It was a message--I couldn't have
thought of it by myself. It's something that's come to me--here
(_putting her hands on her breast_). Part of me!
All that lay dormant in _Janet_ now turns into glowing fire at the touch
of Spring. But in _Martin_ life has been marred, strangled by the iron
hand of Rutherfords'.
_Martin._ Turned away I am, sure enough. Twenty-five years. And in a
minute it's broke. Wi' two words.
_Janet._ You say that now because your heart's cold with the
trouble. But it'll warm again--it'll warm again. I'll warm it out of
my own heart, Martin--my heart that can't be made cold.
Public-domain text, read in full here on John Shaqi.
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