The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
The price _Mrs. Alving_ had to pay for her yoke, her duty and obedience,
staggers even _Dr. Manders_, when she reveals to him the martyrdom she
had endured those long years.
_Mrs. Alving._ You have now spoken out, Pastor Manders; and
to-morrow you are to speak publicly in memory of my husband. I
shall not speak to-morrow. But now I will speak out a little to you,
as you have spoken to me.... I want you to know that after nineteen
years of marriage my husband remained as dissolute in his desires as
he was when you married us. After Oswald's birth, I thought Alving
seemed to be a little better. But it did not last long. And then I
had to struggle twice as hard, fighting for life or death, so that
nobody should know what sort of a man my child's father was. I had
my little son to bear it for. But when the last insult was added;
when my own servant-maid---- Then I swore to myself: This shall come
to an end. And so I took the upper hand in the house--the whole
control over him and over everything else. For now I had a weapon
against him, you see; he dared not oppose me. It was then that
Oswald was sent from home. He was in his seventh year, and was
beginning to observe and ask questions, as children do. That I could
not bear. I thought the child must get poisoned by merely breathing
the air in this polluted home. That was why I placed him out. And
now you can see, too, why he was never allowed to set foot inside
his home so long as his father lived. No one knows what it has cost
me.... From the day after to-morrow it shall be for me as though he
who is dead had never lived in this house. No one shall be here but
my boy and his mother. (_From within the dining-room comes the noise
of a chair overturned, and at the same moment is heard:_)
_Regina (sharply, but whispering)._ Oswald! take care! are you mad?
let me go!
_Mrs. Alving (starts in terror)._ Ah! (_She stares wildly toward
the half-opened door. Oswald is heard coughing and humming inside.)_
_Manders (excited)._ What in the world is the matter? What is it,
Mrs. Alving?
_Mrs. Alving (hoarsely)._ Ghosts! The couple from the conservatory
has risen again!
Ghosts, indeed! _Mrs. Alving_ sees this but too clearly when she
discovers that though she did not want _Oswald_ to inherit a single
penny from the purchase money _Captain Alving_ had paid for her, all her
sacrifice did not save _Oswald_ from the poisoned heritage of his
father. She learns soon enough that her beloved boy had inherited a
terrible disease from his father, as a result of which he will never
again be able to work. She also finds out that, for all her freedom, she
has remained in the clutches of Ghosts, and that she has fostered in
_Oswald's_ mind an ideal of his father, the more terrible because of her
own loathing for the man. Too late she realizes her fatal mistake:
Public-domain text, read in full here on John Shaqi.
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