The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Mary._ I was too well educated to be a servant, and I was never
happy as one, so to better myself I learned typing.... It's a hard
life, Jack, and I soon found out how hard it was, and I was as
dissatisfied as ever. Then there only seemed one way out of it ...
and he ... my employer, I mean.... I went into it deliberately with
my eyes open. You see, a woman I knew chucked typing and went in for
this ... and I saw what a splendid time she had, and how happy she
was--and I was so miserably unhappy--and how she had everything she
wanted and I had nothing, and ... and.... But this life made me
unhappy, too, and so in desperation I came home; but I've grown too
far away from it all, and now I'm going back. Don't you see, Jack,
I'm not happy here. I thought if I could get home to the farm and
the old simple life it would be all right, but it isn't. Everything
jars on me, the roughness and the hard living and the coarse
food--oh, it seems ridiculous--but they make me physically ill. I
always thought, if I could get away home to Knockmalgloss I could
start fair again.... So I came home, and everything is the same, and
everyone thinks that I'm as pure and innocent as when I went away,
but ... but ... But, Jack, the dreadful thing is I want to go
back.... I'm longing for that life, and its excitement and splendor
and color.
In her misery and struggle a great faith sustains _Mary_ and keeps her
from ruin. It is the thought of her father, in whom she believes
implicitly as her ideal of honesty, strength and incorruptibility. The
shock is terrible when she learns that her father, even her father, has
fallen a victim to the cruel struggle of life,--that her father himself
set fire to the buildings.
_Mary._ And I thought he was so simple, so innocent, so
unspoiled!... Father, the simple, honest peasant, the only decent
one of us. I cried all last night at the contrast! His
unselfishness, his simplicity.... Why, we're all equally bad now--he
and I--we both sell ourselves, he for the price of those old houses
and I for a few years of splendor and happiness....
The only one whom life seems to teach nothing is _Schoolmaster Lordan_.
Oblivious of the stress and storm of reality, he continues to be
enraptured with education, with culture, with the opportunities offered
by the large cities. He is particularly proud of the Hurley children.
_Lordan._ The way you've all got on! I tell you what, if every boy
and girl I ever taught had turned out a failure I'd feel content and
satisfied when I looked at all of you and saw what I've made of you.
_Mary._ What you've made of us? I wonder do you really know what
you've made of us?
_Lordan._ Isn't it easily seen? One with a motor car, no less.... It
was good, sound seed I sowed long ago in the little schoolhouse and
it's to-day you're all reaping the harvest.
Public-domain text, read in full here on John Shaqi.
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