The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
---- Day and night.
---- We are crushed by the machines.
---- We ourselves are parts of the machines.
---- Brothers! We forge our own chains!
The crushed call upon _King-Hunger_ to help them, to save them from the
horror of their life. Is he not the most powerful king on earth?
_King-Hunger_ comes and exhorts them to rebel. All follow his call
except three. One of these is huge of body, of Herculean built, large of
muscle but with small, flat head upon his massive shoulders. The second
workingman is young, but with the mark of death already upon his brow.
He is constantly coughing and the hectic flush on his cheeks betrays the
wasting disease of his class. The third workingman is a worn-out old
man. Everything about him, even his voice, is deathlike, colorless, as
if in his person a thousand lives had been robbed of their bloom.
_First Workingman._ I am as old as the earth. I have performed all
the twelve labors, cleansed stables, cut off the hydra's heads, dug
and vexed the earth, built cities, and have so altered its face,
that the Creator himself would not readily recognize her. But I
can't say why I did all this. Whose will did I shape? To what end
did I aspire? My head is dull. I am dead tired. My strength
oppresses me. Explain it to me, O King! Or I'll clutch this hammer
and crack the earth as a hollow nut.
_King-Hunger._ Patience, my son! Save your powers for the last great
revolt. Then you'll know all.
_First Workingman._ I shall wait.
_Second Workingman._ He cannot comprehend it, O King. He thinks that
we must crack the earth. It is a gross falsehood, O King! The earth
is fair as the garden of God. We must guard and caress her as a
little girl. Many that stand there in the darkness say, there is no
sky, no sun, as if eternal night is upon the earth. Just think:
eternal night!
_King-Hunger._ Why, coughing blood, do you smile and gaze to heaven?
_Second Workingman._ Because flowers will blossom on my blood, and I
see them now. On the breast of a beautiful rich lady I saw a red
rose--she didn't know it was my blood.
_King-Hunger._ You are a poet, my son. I suppose you write verses,
as they do.
_Second Workingman._ King, O King, sneer not at me. In darkness I
learned to worship fire. Dying I understood that life is enchanting.
Oh, how enchanting! King, it shall become a great garden, and there
shall walk in peace, unmolested, men and animals. Dare not ruffle
the animals! Wrong not any man! Let them play, embrace, caress one
another--let them! But where is the path? Where is the path?
Explain, King-Hunger.
_King-Hunger._ Revolt.
_Second Workingman._ Through violence to freedom? Through blood to
love and kisses?
_King-Hunger._ There is no other way.
Public-domain text, read in full here on John Shaqi.
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