The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
Editors of the stamp of _Hovstad_ seldom dare to express their real
opinions. They cannot afford to "scare away" their readers. They
generally yield to the most ignorant and vulgar public opinion; they do
not set themselves up against constituted authority. Therefore the
_People's Messenger_ drops the "greatest man" in town when it learns
that the _Burgomaster_ and the influential citizens are determined that
the truth shall be silenced. The _Burgomaster_ soundly denounces his
brother's "rebellion."
_Burgomaster._ The public doesn't need new ideas. The public is best
served by the good old recognized ideas that they have already....
As an official, you've no right to have any individual conviction.
_Dr. Stockmann._ The source is poisoned, man! Are you mad? We live
by trafficking in filth and garbage. The whole of our developing
social life is rooted in a lie!
_Burgomaster._ Idle fancies--or something worse. The man who makes
such offensive insinuations against his own native place must be an
enemy of society.
_Dr. Stockmann._ And I must bear such treatment! In my own house.
Katrine! What do you think of it?
_Mrs. Stockmann._ Indeed, it is a shame and an insult,
Thomas----.... But, after all, your brother has the power----
_Dr. Stockmann._ Yes, but I have the right!
_Mrs. Stockmann._ Ah, yes, right, right! What is the good of being
right when you haven't any might?
_Dr. Stockmann._ What! No good in a free society to have right on
your side? You are absurd, Katrine. And besides, haven't I the free
and independent press with me? The compact majority behind me?
That's might enough, I should think!
_Katrine Stockmann_ is wiser than her husband. For he who has no might
need hope for no right. The good _Doctor_ has to drink the bitter cup to
the last drop before he realizes the wisdom of his wife.
Public-domain text, read in full here on John Shaqi.
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