To be sure, it is rude to turn on the full searchlight upon a painted face. But how is one to know what is back of the paint and artifice? August Strindberg hated artifice with all the passion of his being; hence his severe criticism of woman. Perhaps it was his tragedy to see her as she really is, and not as she appears in her trance. To love with open eyes is, indeed, a tragedy, and Strindberg loved woman. All his life long he yearned for her love, as mother, as wife, as companion. But his longing for, and his need of her, were the crucible of Strindberg, as they have been the crucible of every man, even of the mightiest spirit. Why it is so is best expressed in the words of the old nurse, _Margret_, in "The Father": "Because all you men, great and small, are woman's children, every man of you." The child in man--- and the greater the man the more dominant the child in him--has ever succumbed to the Earth Spirit, Woman, and as long as that is her only drawing power, Man, with all his strength and genius, will ever be at her feet. The Earth Spirit is motherhood carrying the race in its womb; the flame of life luring the moth, often against its will, to destruction. In all of Strindberg's plays we see the flame of life at work, ravishing man's brain, consuming man's faith, rousing man's passion. Always, always the flame of life is drawing its victims with irresistible force. August Strindberg's arraignment of that force is at the same time a confession of faith. He, too, was the child of woman, and utterly helpless before her. THE FATHER "The Father" portrays the tragedy of a man and a woman struggling for the possession of their child. The father, a cavalry captain, is intellectual, a freethinker, a man of ideas. His wife is narrow, selfish, and unscrupulous in her methods when her antagonism is wakened. Other members of the family are the wife's mother, a Spiritualist, and the _Captain's_ old nurse, _Margret_, ignorant and superstitious. The father feels that the child would be poisoned in such an atmosphere: _The Captain._ This house is full of women who all want to have their say about my child. My mother-in-law wants to make a Spiritualist of her. Laura wants her to be an artist; the governess wants her to be a Methodist, old Margret a Baptist, and the servant-girls want her to join the Salvation Army! It won't do to try to make a soul in patches like that. I, who have the chief right to try to form her character, am constantly opposed in my efforts. And that's why I have decided to send her away from home. But it is not only because the _Captain_ does not believe in "making a soul in patches," that he wants to rescue the child from the hot-house environment, nor because he plans to make her an image of himself. It is rather because he wants her to grow up with a healthy outlook on life.