The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
A characteristic sidelight in the play is given by the conversation of
_Mrs. Hall_, the divorced wife of _Doctor Ostermark_. She comes to
Bertha with a bitter tirade against the Doctor because he gives her
insufficient alimony.
_Mrs. Hall._ And now that the girls are grown up and about to start
in life, now he writes us that he is bankrupt and that he can't send
us more than half the allowance. Isn't that nice, just now when the
girls are grown up and are going out into life?
_Bertha._ We must look into this. He'll be here in a few days. Do
you know that you have the law on your side and that the courts can
force him to pay? And he shall be forced to do so. Do you
understand? So, he can bring children into the world and then leave
them empty-handed with the poor deserted mother.
_Bertha_, who believes in woman's equality with man, and in her economic
independence, yet delivers herself of the old sentimental gush in behalf
of "the poor deserted mother," who has been supported by her husband for
years, though their relations had ceased long before.
* * * * *
A distorted picture, some feminists will say. Not at all. It is as
typical to-day as it was twenty-six years ago. Even to-day some
"emancipated" women claim the right to be self-supporting, yet demand
their husband's support. In fact, many leaders in the American suffrage
movement assure us that when women will make laws, they will force men
to support their wives. From the leaders down to the simplest devotee,
the same attitude prevails, namely, that man is a _blagueur_, and that
but for him the Berthas would have long ago become Michelangelos,
Beethovens, or Shakespeares; they claim that the Berthas represent the
most virtuous half of the race, and that they have made up their minds
to make man as virtuous as they are.
That such ridiculous extravagance should be resented by the Axels is not
at all surprising. It is resented even by the more intelligent of
_Bertha's_ own sex. Not because they are opposed to the emancipation of
woman, but because they do not believe that her emancipation can ever be
achieved by such absurd and hysterical notions. They repudiate the idea
that people who retain the substance of their slavery and merely escape
the shadow, can possibly be free, live free, or act free.
The radicals, no less than the feminists, must realize that a mere
external change in their economic and political status, cannot alter the
inherent or acquired prejudices and superstitions which underlie their
slavery and dependence, and which are the main causes of the antagonism
between the sexes.
Public-domain text, read in full here on John Shaqi.
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