The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
In the invigorating presence of _Anna Mahr_, _John Vockerat_ begins to
live, to dream and work. Another phase of him, as it were, comes into
being; larger vistas open before his eyes, and his life is filled with
new aspiration for creative work in behalf of a liberating purpose.
Alas, the inevitability that the ideal should be besmirched and
desecrated when it comes in contact with sordid reality! This tragic
fate befalls _Anna Mahr_ and _John Vockerat_.
Old _Mother Vockerat_, who, in her simplicity of soul cannot conceive of
an intimate friendship between a man and a woman, unless they be husband
and wife, begins first to suspect and insinuate, then to nag and
interfere. Of course, it is her love for _John_, and even more so her
love for her son's wife, who is suffering in silence and wearing out her
soul in her realization of how little she can mean to her husband.
_Mother Vockerat_ interprets _Kitty's_ grief in a different manner:
jealousy, and antagonism to the successful rival is her most convenient
explanation for the loneliness, the heart-hunger of love. But as a
matter of fact, it is something deeper and more vital that is born in
_Kitty's_ soul. It is the awakening of her own womanhood, of her
personality.
_Kitty._ I agree with Miss Mahr on many points. She was saying
lately that we women live in a condition of degradation. I think she
is quite right there. It is what I feel very often.... It's as
clear as daylight that she is right. We are really and truly a
despised and ill-used sex. Only think that there is still a law--so
she told me yesterday--which allows the husband to inflict a
moderate amount of corporal punishment on his wife.
And yet, corporal punishment is not half as terrible as the punishment
society inflicts on the Kittys by rearing them as dependent and useless
beings, as hot-house flowers, ornaments for a fine house, but of no
substance to the husband and certainly of less to her children.
And _Mother Vockerat_, without any viciousness, instills poison into the
innocent soul of _Kitty_ and embitters the life of her loved son.
Ignorantly, _Mother Vockerat_ meddles, interferes, and tramples upon the
most sacred feelings, the innocent joys of true comradeship.
And all the time _John_ and _Anna_ are quite unaware of the pain and
tragedy they are the cause of: they are far removed from the
commonplace, petty world about them. They walk and discuss, read and
argue about the wonders of life, the needs of humanity, the beauty of
the ideal. They have both been famished so long: _John_ for spiritual
communion, _Anna_ for warmth of home that she had known so little
before, and which in her simplicity she has accepted at the hand of
_Mother Vockerat_ and _Kitty_, oblivious of the fact that nothing is so
enslaving as hospitality prompted by a sense of duty.
Public-domain text, read in full here on John Shaqi.
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