The Social Significance of the Modern Drama — John Shaqi
The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
The background of "The Weavers" is the weaving district in Silesia,
during the period of home industry--a gruesome sight of human phantoms,
dragging on their emaciated existence almost by superhuman effort. Life
is a tenacious force that clings desperately even to the most meager
chance in an endeavor to assert itself. But what is mirrored in "The
Weavers" is so appalling, so dismally hopeless that it stamps the
damning brand upon our civilization.
One man and his hirelings thrive on the sinew and bone, on the very
blood, of an entire community. The manufacturer _Dreissiger_ spends more
for cigars in a day than an entire family earns in a week. Yet so
brutalizing, so terrible is the effect of wealth that neither pale
hunger nor black despair can move the master.
There is nothing in literature to equal the cruel reality of the scene
in the office of _Dreissiger_, when the weavers bring the finished
cloth. For hours they are kept waiting in the stuffy place, waiting the
pleasure of the rich employer after they had walked miles on an empty
stomach and little sleep. For as one of the men says, "What's to hinder
a weaver waitin' for an hour, or for a day? What else is he there for?"
Indeed what else, except to be always waiting in humility, to be
exploited and degraded, always at the mercy of the few pence thrown to
them after an endless wait.
Necessity knows no law. Neither does it know pride. The weavers, driven
by the whip of hunger, bend their backs, beg and cringe before their
"superior."
_Weaver's wife._ No one can't call me idle, but I am not fit now for
what I once was. I've twice had a miscarriage. As to John, he's but
a poor creature. He's been to the shepherd at Zerlau, but he
couldn't do him no good, and ... you can't do more than you've
strength for.... We works as hard as ever we can. This many a week
I've been at it till far into the night. An' we'll keep our heads
above water right enough if I can just get a bit o' strength into
me. But you must have pity on us, Mr. Pfeifer, sir. You'll please be
so very kind as to let me have a few pence on the next job, sir?
Only a few pence, to buy bread with. We can't get no more credit.
We've a lot o' little ones.
"Suffer little children to come unto me." Christ loves the children of
the poor. The more the better. Why, then, care if they starve? Why care
if they faint away with hunger, like the little boy in _Dreissiger's_
office? For "little Philip is one of nine and the tenth's coming, and
the rain comes through their roof--and the mother hasn't two shirts
among the nine."
Who is to blame? Ask the Dreissigers. They will tell you, "The poor have
too many children." Besides--
Public-domain text, read in full here on John Shaqi.
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