The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Nora_ is the beloved, adored wife of _Torvald Helmer_. He is an
admirable man, rigidly honest, of high moral ideals, and passionately
devoted to his wife and children. In short, a good man and an enviable
husband. Almost every mother would be proud of such a match for her
daughter, and the latter would consider herself fortunate to become the
wife of such a man.
_Nora_, too, considers herself fortunate. Indeed, she worships her
husband, believes in him implicitly, and is sure that if ever her safety
should be menaced, _Torvald_, her idol, her god, would perform the
miracle.
When a woman loves as _Nora_ does, nothing else matters; least of all,
social, legal or moral considerations. Therefore, when her husband's
life is threatened, it is no effort, it is joy for _Nora_ to forge her
father's name to a note and borrow 800 cronen on it, in order to take
her sick husband to Italy.
In her eagerness to serve her husband, and in perfect innocence of the
legal aspect of her act, she does not give the matter much thought,
except for her anxiety to shield him from any emergency that may call
upon him to perform the miracle in her behalf. She works hard, and saves
every penny of her pin-money to pay back the amount she borrowed on the
forged check.
_Nora_ is light-hearted and gay, apparently without depth. Who, indeed,
would expect depth of a doll, a "squirrel," a song-bird? Her purpose in
life is to be happy for her husband's sake, for the sake of the
children; to sing, dance, and play with them. Besides, is she not
shielded, protected, and cared for? Who, then, would suspect _Nora_ of
depth? But already in the opening scene, when _Torvald_ inquires what
his precious "squirrel" wants for a Christmas present, _Nora_ quickly
asks him for money. Is it to buy macaroons or finery? In her talk with
_Mrs. Linden_, _Nora_ reveals her inner self, and forecasts the
inevitable debacle of her doll's house.
After telling her friend how she had saved her husband, _Nora_ says:
"When Torvald gave me money for clothes and so on, I never used more
than half of it; I always bought the simplest things.... Torvald never
noticed anything. But it was often very hard, Christina dear. For it's
nice to be beautifully dressed. Now, isn't it?... Well, and besides
that, I made money in other ways. Last winter I was so lucky--I got a
heap of copying to do. I shut myself up every evening and wrote far into
the night. Oh, sometimes I was so tired, so tired. And yet it was
splendid to work in that way and earn money. I almost felt as if I was a
man."
Down deep in the consciousness of _Nora_ there evidently slumbers
personality and character, which could come into full bloom only through
a great miracle--not the kind _Nora_ hopes for, but a miracle just the
same.
Public-domain text, read in full here on John Shaqi.
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