The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“But it is of no use dwelling on that part of the subject; the proper
course is to find a remedy, which we have done in this fair. I tell you,
Horace, the country can produce nothing like it. It will be superb. The
only trouble is about the tableaux. Every lady of the committee has some
commonplace daughter that she insists on crowding into the foreground.
Thank heaven, I have no daughter to push forward after this coarse
fashion. There is Mrs. Pope, now, insists that Amelia shall stand as
Rebecca, in the great Ivanhoe tableau, when her eyes are a
greenish-blue, and her hair a dull brown; and I cannot reasonably
object, for there is not a passable brunette in the whole company. I was
thinking it over when you came in. The whole thing will be spoiled for
want of a proper heroine.”
“Who stands as Beatrice?” asked Horace, with the animation of a new
idea.
“Miss Eustice, of course.”
“Why, of course?”
“Because she is fair as a lily, blue-eyed, and so exquisitely feminine;
and for another reason.”
“What is that, mother?”
“You are to stand as Ivanhoe.”
Horace saw the way open by which his idea might be worked out at once,
and it must be confessed, dealt rather artfully with his mother.
“Not with an ugly Rebecca, though. I could not stand that.”
“But how can it be helped?”
“Mother, I saw by accident, this evening, the very person you want—a
soldier’s daughter, perfectly lady-like, and very beautiful.”
“Of the right type of beauty? Would she make a striking contrast to my
favorite?” inquired Mrs. Savage, eagerly.
“No contrast could be more decided.”
“But who is she?”
“A soldier’s daughter!”
“But is she presentable? Has she style, education?”
“She has everything that goes to form a lovely woman, I should say.”
“Where can I see her?”
“Perhaps she would come to you.”
“It is a bold step; but I can afford that. As my protegé, they will not
dare to ask questions. Where does the girl live? Could I see her
to-night, or early in the morning? I am so weary now. Upon my word,
Horace, you have helped me out of a most annoying dilemma. To-morrow
morning, before breakfast, I must see this person. What is her name?”
“Burns, mother—Anna Burns.”
“Thank you, Horace. Now, another thing. We must have something national,
patriotic, and all that. A soldier’s family, for instance; but the
dresses are so plain and unbecoming, that our young ladies fight shy of
it. Could you manage something of the kind for me?”
Horace thought of the picture he had seen that night, and answered that,
perhaps, it would be possible, only the whole thing must be managed with
great delicacy; and he, as a gentleman, must not be supposed to
interfere with it. His mother could write a little note to the young
person who had already done work for her.
“For me? Anna Burns? It must have been for the committee. I remember no
such person; but that will be an opening. Is she to form part of this
tableau, also?”
“The principal figure.”
“And the rest?”
Public-domain text, read in full here on John Shaqi.
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