The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“And some brothers?”
“Yes, madam!”
“Picturesque, I am told; something like boys in the pictures of that
delicious old Spanish painter. We must have them, too.”
“What! my brothers?”
“Yes, yes; and the old lady. That will be our grand effort, and our
secret, too. Not wanting outside help, we can keep it for a surprise. Be
ready when you are called. I think they will come off on Monday. Never
mind the costumes; that dress will do very well for the family tableau.
As for Rebecca, I will take care of her. My son says the boys and that
old woman are perfect. Don’t change them in the least; it would spoil
every thing. Oh! Mrs. Leeds, I am so glad to see you. Late am I—the
committee waiting?”
This last speech was made to a little dumpty lady, who came fluttering
into the room unannounced, with both her hands held out, and an
important look of business in her face. The ladies kissed each other
impressively; then Mrs. Savage glided up to Anna and whispered,
“Run away now. She mustn’t get a good look at you on any account. Don’t
mind turning your back on us. Good-morning. Remember, I depend on you as
a soldier’s daughter; it is your duty.”
Anna went out in some confusion, hardly knowing whether she had been
well received or not. Coming up the broad staircase, she met young
Savage, and he stopped to speak with her.
“You have seen my mother?” he said, gently.
“Yes.”
“And will oblige her, I hope?”
“How can I refuse?”
“That is generous. I thank you.”
“It is I who should give the thanks,” answered Anna with a tremble of
gratitude in her voice.
Horace smiled, and shook his head.
“I am afraid you will not let us do enough for any claim to thanks,” he
said. “But do not forget to send that fine little fellow after my
handkerchiefs. I shall want them.”
Anna promised that Robert should be punctual, and went away so happy,
that the very air seemed to carry her forward.
On the afternoon of the third day from that, close upon evening, she
stood in Mrs. Savage’s boudoir, again contrasting its luxurious
belongings with her simple dress. Mrs. Savage was benign as ever. She
had driven her enemy out of the Ivanhoe tableau; and the triumph filled
her with exultation. From the boudoir Anna was swept off to the
temporary buildings erected for the great fair, hurried through a
labyrinth of festooned arches, loaded tables, lemonade fountains, and
segar stands, into a dressing-room swarming with young ladies, who took
no more heed of her than if she had been a lay-figure. Mrs. Savage was
ubiquitous that evening. She posed characters, arranged draperies,
grouped historical events, and exhibited wonderful generalship; while
Anna stood in a remote part of the room, looking on anxious for the
coming of her grandmother, and the two boys, who were to find their own
way to the fair at a later hour.
Public-domain text, read in full here on John Shaqi.
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