The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“Thus it is,” she said, “that one’s most sensitive feelings are thrown
back upon the heart. My own mother refuses me her blessing; but I can
define the reason—the hidden, mysterious reason.”
This intensified female gathered the opera-cloak around her as if it had
been a Roman toga, and sailed out of the room with the sweep of a
wind-mill. Mrs. Halstead shook her handsome old head, and sighed faintly
when Eliza disappeared.
“Will she never comprehend our position?” she murmured. “Never remember
that the bloom of girlhood does not run through mid-age? How good they
are to overlook all this.”
CHAPTER IV.
THE FAIR.
An old man sat alone in one of those large, old-fashioned houses, which
have been almost driven out of existence by the march of commerce into
the haunts of fashion. The rooms were broad, deep, and well lighted; for
there was plenty of land around the old house, which was half occupied
by the remnants of an old-fashioned garden, in which two or three quince
trees might be seen from the side windows, covered with plump,
orange-tinted fruit in the late autumn, but gnarled and knotted old
skeletons, as they appeared to their owner that frosty afternoon.
The room in which this man sat was large, old-fashioned, and gloomy
enough. A Brussels carpet, worn in places till the linen foundation
broke through the faded pattern, was stretched upon the floor without
quite covering it, and a breadth of striped stair-carpeting eked out the
deficiency, running along the footboards in meagre imitation of a
cordon.
A ponderous old sideboard of solid mahogany, which contained a multitude
of drawers and shelves for every thing, stood in a recess by the
fireplace. On this were decanters with silver caps; and tiny silver
shields hung around their necks, telling what manner of spirits was
imprisoned within, bespeaking the old-fashioned hospitality of forty
years ago; and over the sideboard hung a picture from some Dutch artist
in which bunches of carrots, heads of cabbages, birds, newly shot, and
fish ready for the pan, were heaped together in sumptuous profusion. It
was a fine appetizing kitchen scene, in which a few marigolds and
hollyhocks had been thrown, as tasteful market-men sometimes cast a
handful of coarse flowers on a customer’s basket. Some mahogany chairs,
with well-worn horse-hair seats, stood against the wall; and a stiff,
spindle-legged sofa, covered with the same useful material, occupied a
recess near the fireplace, like that filled by the sideboard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account