The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
A little storm of exclamations followed this speech. Then the silks
began to rustle violently again, while the committee made a rush, and,
with a confusion of whispers, diffused itself in the audience, which was
soon enveloped in darkness. A bell tinkled; the dark curtain swept back,
and through a screen of rose-colored gauze Ivanhoe and Rowena were seen
surrounded with rich draperies, heavy carvings, and all the appointments
of a feudal picture. Rowena was looking down overpowered by the
love-light in Ivanhoe’s glance; a soft, rosy bloom lay on her cheek; a
smile hovered about her lips; no flower ever drooped more modestly in
the sunshine that brightened it. The young creature did not move, but
you could see the slow heave and fall of her bosom. There was no acting
there; the presence of love, pure and vital, made itself felt, though it
might not have been thoroughly understood. Ivanhoe gazed down upon her
with admiration, and it may be that more tender feelings called forth
the bright smile on his face. But young Savage was thinking of the
character he was to maintain—she was thinking only of him. A single
minute this noble picture defined itself before the crowd; then the
curtain fell, and all was dark again.
The tableau was one which had been designed to repeat itself by a change
of position in the characters. While the applause was loudest, and young
Savage stood behind the curtain holding Georgie’s hand; while he
described the position she was to assume, a rather impatient voice from
behind the scenes called for Miss Halstead. The young lady, who was
blushing and shrinking under the careless touch of his hand, ran out,
and found one of the servant-girls in attendance, who said that she must
come at once and speak with Mrs. Savage before the curtain rose again.
Georgie followed the girl in haste, and the moment she disappeared a
figure came out from one of the dark corners and entered upon the stage,
which was but dimly lighted from behind the scenes. Savage saw the
glitter of her dress, and without looking closer spoke in eager haste.
“Just in time. They are getting impatient. There, stand there, with your
head averted, as we arranged it: now your hand.”
Savage dropped on one knee as he spoke, took the hand which dropped
lovingly into his, and lifted his fine eyes to the but half averted
face. A start, which brought him half up from his knees; a quick ringing
of the bell, and every face in the audience was turned in amazement on
Miss Eliza Halstead, whose tall, gaunt form was arrayed in blue satin,
surmounted by a tunic of maize-colored velvet; a band of pointed gold
girding her head like a coronet, and from under it flowed out a mass of
dull brown curls, wonderful to behold. Her head was turned aside; one
hand was half uplifted, as if to conceal the blushes that lay immovable
on her cheeks; and a simper, which had a dash of malicious triumph in
it, gave disagreeable life to her face.
Public-domain text, read in full here on John Shaqi.
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