The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“The whole thing was charming,” answered Mrs. Savage, setting her teeth
close and turning away. “The ladies are all delighted. Horace, pray make
haste and escort Miss Halstead to her carriage, if she _must_ go; the
ladies are dying to thank you for this surprise. How prettily Georgiana
entered into our little conspiracy. Good evening, Miss Halstead; be
careful and not take cold. Adieu!”
“What a charming woman your mother is—so queenly, so gracious,”
whispered Eliza, leaning toward her companion. “So magnificently
handsome, too. Never in my life did I see a son and mother resemble each
other so much. Thank you, Mr. Savage! thank you! If I remember rightly,
Rowena gave Ivanhoe her hand to kiss—ungloved, I fancy—there, this
once.”
Miss Halstead leaned out of the carriage, and held forth her hand,
beaming gently upon young Savage, who took the hand, pressed it, bowed
over it, and laid it gently back into Miss Halstead’s lap.
“I dare not presume! I have not the audacity!” he said. “Adieu! adieu!
Believe me, I shall never forget this evening!”
“Oh, heavens! nor I!” exclaimed Miss Eliza, kissing her own hand where
he had touched it, with infinite relish. “Of all the nights in my life
this is my fate!”
Young Savage was at a safe distance when Miss Eliza uttered this tender
truth; but, as she declared afterward, “Her soul went with him, and
joined its home forever more!”
As Horace Savage returned, he met Anson Gould, a young man about whom
all uppertendom raved, as the most splendid creature that ever lived; so
rich, so distinguished, so talented, and so on.
“Hollo! Gould! what are you doing here, wandering about like a lost babe
in the woods? Searching for my mother, eh?”
“No,” answered Gould, laughing; “I am in search of what is called the
gentlemen’s dressing-room. Your mother has booked me for Bois Guilbert,
with a Rebecca that she promises shall be stunning—a Miss Burns. Tell me
who she is, Savage. I do not remember the name in our set.”
Savage felt a hot glow coming to his cheek. His light, off-handed way of
mentioning that young girl annoyed him exceedingly.
“Miss Burns is a friend of my mother’s—not in society yet, I believe,”
he answered, quietly. “But I keep you waiting; that is the way to your
dressing-room.”
“Gould moved on, and, for the first time, young Savage remarked how
wonderfully handsome he was. I think he congratulated himself somewhat
by remembering that the Templar was also a splendid specimen of a man,
and yet Rebecca could not be persuaded to love him. Still the young
gentleman’s spirits became somewhat depressed from that moment, and,
forgetting that he had promised to make himself generally useful in his
mother’s behalf, he crept away into a corner of the audience-chamber,
and there, half of the time in semi-darkness, watched the curtain rise
and fall, dismissing each picture presented with something like angry
impatience.
Public-domain text, read in full here on John Shaqi.
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