A very ancient man lives in the mill and takes care of it, for it has
long been unused, a deaf old man with a clean, toothless face, and no
wife to worry him. He informed me once that all women are mistakes,
especially that aggravated form called wives, and that he was thankful
he had never married. I felt a certain delicacy after that about
intruding on his solitude with the burden of my sex and wifehood heavy
upon me, but he always seems very glad to see me, and runs at once to
his fowlhouse to look for fresh eggs for my tea; so perhaps he regards
me as a pleasing exception to the rule. On this last occasion he brought
a table out to the elm-tree by the mill stream, that I might get what
air there was while I ate my supper; and I sat in great peace waiting
for the kettle to boil and watching the sun dropping behind the sharp
forest me, and all the little pools and currents into which the stream
just there breaks as it flows over mud banks, ablaze with the red
reflection of the sky. The pools are clothed with water-lilies and
inhabited by eels, and I generally take a netful of writhing eels back
with me to the Man of Wrath to pacify him after my prolonged absence. In
the lily time I get into the miller's punt and make them an excuse for
paddling about among the mud islands, and even adventurously exploring
the river as it winds into the forest, and the old man watches me
anxiously from under the elm. He regards my feminine desire to pick
water-lilies with indulgence, but is clearly uneasy at my affection for
mud banks, and once, after I had stuck on one, and he had run up and
down in great agitation for half an hour shouting instructions as to
getting off again, he said when I was safely back on shore that people
with petticoats (his way of expressing woman) were never intended for
punts, and their only chance of safety lay in dry land and keeping
quiet. I did not this time attempt the punt, for I was tired, and it was
half full of water, probably poured into it by a miller weary of the
ways of women; and I drank my tea quietly, going on at the same time
with my interrupted afternoon reading of the _Sorrows of Werther_,
in which I had reached a part that has a special fascination for me
every time I read it--that part where Werther first meets Lotte, and
where, after a thunderstorm; they both go to the window, and she is so
touched by the beauties of nature that she lays her hand on his and
murmurs "Klopstock,"--to the complete dismay of the reader, though not
of Werther, for he, we find, was so carried away by the magic word that
he flung himself on to her hand and kissed it with tears of rapture.
Public-domain text, read in full here on John Shaqi.
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