The Son of Clemenceau, A Novel of Modern Love and Life — John Shaqi
The Son of Clemenceau, A Novel of Modern Love and LifeDumas, Alexandre
General
The Son of Clemenceau, A Novel of Modern Love and Life
Dumas, Alexandre
Fiction
Kaiserina von Vieradlers was the modern Venus, a creation of the modiste
rather than of the sculptor; though hips and bosom were developed
extravagantly, the long waist was absurdly small; but no token of ill
health from the tight lacing appeared in the irreproachable shape, the
well-turned arms and the countenance which was unmarred in a single
lineament; the movements were not strictly ladylike, they were too
unfettered in spite of the smooth gloves and the stylish unwrinkled ball
dress, rather short in front to parade the slippers mentioned and silk
stockings so nicely moulded to the trim ankle as to show the dimple. She
was more fair in her eighteenth year--if she were so old--than a Danish
baby in the cradle. The yellow hair had a clear golden tint not tawny,
and the fineness was remarkable of the stray threads that serpentined
out of the artistic braid and drooping ringlets. The blue eyes had a
multitude of expressions and gleams; now hard as the blue diamond's ray,
now soft as the lapis lazuli's glow of azure; the expression was at
present one of longing, tender, cajoling and coaxing--like a gentle
child's, never refused a thing for which it silently pleaded.
The costume was a trifle exaggerated, as is allowable on the minor
stage, but what was that in our topsy-turvy age, when the disreputable
woman in a mixed ball is conspicuous among her spotless sisters by the
quiet correctness of her toilet?
Kaiserina came down to the flaring footlights, after a little
trepidation, which the inexorable demon of stage-fright exacted from
her, with the swing and confident step of one sure that--while man may
be unjust, cruel and oppressive to her sex off the stage--here she would
reign and finally triumph. She bowed her head, but it was to acknowledge
her gracious acceptance of the tribute of applause; she moistened her
fiery-coal lips with a serpent's active tongue; she surveyed her
dominion with eyes that assumed a passing emerald tint. There was a
depth to those apparently superficial glances. It seemed to Claudius
that one had singled him out, and he fancied, as his eyes became
fastened on this vision of concentrated worldly bliss, that it was for
him that she stretched her plump neck, waved her arms in long gloves,
undulated her waist and murmured--though to others she was but repeating
her song during the orchestral prelude:
"You talk of plunging into the strife; you are ready to endure
privations, you would study and toil till you vanquish. Nonsense; you
had far better repose, recruit after the humdrum, exhaustive life of
college; enjoy life a little. Hear a love-song, not a professor's
lecture--see a dance of the ballet, not the procession of the deans and
proctors; come to me for I am immediate sensation--the pleasure for all
times--eternal intoxication--certain oblivion--the ideal bliss of the
Hindoo! I am the grandest proof of Life--I am Love embodied!"
Public-domain text, read in full here on John Shaqi.
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