The Son of His Father; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Son of His Father; vol. 2/3
Oliphant, Mrs. (Margaret)
Fathers and sons -- Fiction
which a struggle is foreseen at his age, that John buttoned his coat and
took his hat. He felt that ‘they’ (though he had not the least notion
who _they_ might be) would not have an easy bargain of him.
He went out without even being remarked. No ‘Where are you going?’ ‘When
will you come back?’ to impede his liberty. That fact also went to his
heart a little. He had felt his loneliness very forlorn--now he felt it
exciting, exhilarating. He set his hat firmly on his head, and drew a
long breath when he felt the fresh air of the night, so different from
that of any parlour, encircle him with its coolness and vastness. That,
too, has an intoxication in it which everything that is young
acknowledges. The air may be sober in the morning--it is like wine at
night. The darkness has a mystery, a magic in it--the lights twinkling
through it--the world made into something ideal, in which miracles are.
John stood still for a moment at the door, realising that he was there,
that he was unshackled--his own master--and then, drawn by the great
voice that called and called him, he turned his face towards the distant
blazing of the lights, and set out--to discover that new world.
To discover London! how many do it every day, with hearts beating high,
with hopes immeasurable, which so often collapse and come to nothing;
but this is not the time for moralising. John set out. His way began in
the darkness of this little street, with its little houses, faced by the
great sombre shadow of the hospital, which shut out the air from it and
the sky. He plunged into the darkness at first, making his way between
rows of insignificant buildings, with a feeble shop here and there
flashing its faint illumination, and then, with a great sweep of fresh
air seizing him, came out upon the bridge. The sky was full of the
clearness of spring, though there was no moon. The river flowed dark and
silent below, faintly visible further up the stream in pale streaks of
reflection, across which would rise a dark and ghostly shadow of
something floating, a barge, a heavy blackness in the middle of the
faint light; but lamps blazing overhead, the glare of gas, and here and
there the chill contradictory artificial moon of the electric light
‘swearing’ horribly, as the French say, with all the yellow lamps
around. The murmur of sound grew and grew as the boy went on; it was a
rhythmic roar as of waves beating against a shore, or the rush of a
prodigious waterfall, a great moral Niagara, bigger than any physical
falls, however gigantic. It was made up of the sounds of carriages of
every description, of voices, the hum of the crowd constantly broken by
some shrill interruption of a cry or shout, which gave emphasis to the
general continual, unfailing current of sound. He hurried along,
quickening his pace, led by it as if it had been a syren’s song.
Public-domain text, read in full here on John Shaqi.
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