The Son of His Father; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Son of His Father; vol. 2/3
Oliphant, Mrs. (Margaret)
Fathers and sons -- Fiction
It was a great wonder to him to find himself there, and to think that he
was in London, in the heart of the great place to which every man’s eyes
are turned, where everything is to be done, where all that is pleasant
and gay, and all that is noisy and terrible, are going on. He had
perhaps thought, even in his subdued state, even under the chilling
shadow of his mother’s wing, something of this kind. However subdued one
may be, however little desire one may have for amusement or commotion,
yet in London it is inevitable that one should be amused and excited. It
comes, in spite of one’s self, in the mere clamour of so much life, in
the bustle of the streets, in the noise and riot. So he had thought, as
so many think every day. But what had really happened to John in London
was that he had fallen into the completest stillness, a quiet more than
the quiet of the village, a loneliness such as he had never known
before. His landlady had lighted two candles on the table. She had drawn
down the blind, shutting out a bit of daffodil sky, the last lingering
of day in the midst of the coming night. All was shut up, above,
without--and John was alone.
What a form for novelty to take, for the first night of London, for the
excitement of a new life! He sank down upon the hard horse-hair sofa,
and looked round with speechless dismay. Here he was shut up as in a
box, closed in, as if he were in a prison. In a prison it would almost
be more cheerful; you would be aware, at least, of a host of other
minds, of other hearts beating. Here there was nothing. A little
parlour, with a little bed-room behind; a landlady, with nodding ribbons
in her cap; a door which shuts out the world. It was like waking up
after a night of fiery dreams, and finding yourself shut in a closet,
separated from everything--the blind drawn, the door closed, the room
shut up, and the young victim all alone.
CHAPTER II.
LONDON.
Public-domain text, read in full here on John Shaqi.
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