The Song Celestial; Or, Bhagavad-Gîtâ (from the Mahâbhârata): Being a discourse between Arjuna, Prince of India, and the Supreme Being under the form of Krishna — John Shaqi
The Song Celestial; Or, Bhagavad-Gîtâ (from the Mahâbhârata): Being a discourse between Arjuna, Prince of India, and the Supreme Being under the form of Krishna
Religion
The Song Celestial; Or, Bhagavad-Gîtâ (from the Mahâbhârata): Being a discourse between Arjuna, Prince of India, and the Supreme Being under the form of Krishna
Epic poetry; Hinduism -- Sacred books; Sanskrit poetry -- Translations into English
Where this song comes of Arjun, and how with God he spake.
HERE ENDS, WITH CHAPTER XVIII.,
Entitled "Mokshasanyasayog,"
Or "The Book of Religion by Deliverance and Renunciation,"
THE BHAGAVAD-GITA.
[FN#1] Some repetitionary lines are here omitted.
[FN#2] Technical phrases of Vedic religion.
[FN#3] The whole of this passage is highly involved and difficult to
render.
[FN#4] I feel convinced sankhyanan and yoginan must be transposed
here in sense.
[FN#5] I am doubtful of accuracy here.
[FN#6] A name of the sun.
[FN#7] Without desire of fruit.
[FN#8] That is,"joy and sorrow, success and failure, heat and cold,"&c.
[FN#9] i.e., the body.
[FN#10] The Sanskrit has this play on the double meaning of Atman.
[FN#11] So in original.
[FN#12] Beings of low and devilish nature.
[FN#13] Krishna.
[FN#14] I read here janma, "birth;" not jara,"age"
[FN#15] I have discarded ten lines of Sanskrit text here as an
undoubted interpolation by some Vedantist
[FN#16] The Sanskrit poem here rises to an elevation of style and
manner which I have endeavoured to mark by change of metre.
[FN#17] Ahinsa.
[FN#18] The nectar of immortality.
[FN#19] Called "The Jap."
[FN#20] The compound form of Sanskrit words.
[FN#21] "Kamalapatraksha"
[FN#22] These are all divine or deified orders of the Hindoo Pantheon.
[FN#23] "Hail to Thee, God of Gods! Be favourable!"
[FN#24] The wind.
[FN#25] "Not peering about,"anapeksha.
[FN#26] The Calcutta edition of the Mahabharata has these three
opening lines.
[FN#27] This is the nearest possible version of
Kshetrakshetrajnayojnanan yat tajnan matan mama.
[FN#28] I omit two lines of the Sanskrit here, evidently interpolated by
some Vedantist.
[FN#29] Wombs.
[FN#30] I do not consider the Sanskrit verses here-which are somewhat
freely rendered--"an attack on the authority of the Vedas," with Mr
Davies, but a beautiful lyrical episode, a new "Parable of the fig-tree."
[FN#31] I omit a verse here, evidently interpolated.
[FN#32] "Of the Asuras," lit.
[FN#33] I omit the ten concluding shlokas, with Mr Davis.
[FN#34] Rakshasas and Yakshas are unembodied but capricious beings
of great power, gifts, and beauty, same times also of benignity.
[FN#35] These are spirits of evil wandering ghosts.
[FN#36] Yatayaman, food which has remained after the watches of the
night. In India this would probably "go bad."
[FN#37] I omit the concluding shlokas, as of very doubtful authenticity.
Public-domain text, read in full here on John Shaqi.
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