The book is a fictitious biography of a _femme galante_. It is not the
sort of book that is given as a prize in a girl's school, though I am
by no means sure that it would not be more useful than many of the
books that are put to that use. It says what ought to be said about its
heroine without any of the sentimental lasciviousness and avoidance of
the unpleasant side of clandestine gallantry which makes most of our
novels so dangerous to young people. Sudermann is blunt, frank, and
contemptuous, where the English hack-writer would be furtive,
inferential, discreet, and superficially decent. He strips the romance
off Bohemianism ruthlessly, and takes care that if you are curious
about the sort of life that is open to a woman who has lost her
position in respectable society in Berlin, you shall know the truth
about it. Not that he attaches any false consequences to it for the
sake of an edifying moral. His heroine does not starve, does not
jump over the bridge, and fares better than most ugly, honest, and
hard-working women as far as her circumstances are concerned. She is
left at the end of the book in a position which many respectable
English families would be very glad to see their daughters in. The
author makes no attempt to flatter society by denying or hiding the
fact that immorality pays a penniless girl who is pretty and amiable
better than morality, and that it even leaves her a better chance of
being married than the drudgeries and disfigurements of singing The
Song of the Shirt. But that it damages her soul cruelly and incurably
he brings out mercilessly. He deliberately leads you into all sorts of
foolish sentimental sympathies with her, only in the end to bring you
the harder up against Dr. Johnson's opinion of her. She is left, as
such women often are left, with an adoring husband, a luxurious income,
and everything the most virtuous heroine could ask from British
fiction, but hopelessly damned all the same. You need not fear that
anyone who reads the book will envy her or be tempted to go and do
likewise. It is worth adding that what began the mischief with her was
having nothing readable within her reach except popular novels which
made everything that tempted her seem poetic and delightful and
honorable, and were therefore not suppressed by the censorship.
Public-domain text, read in full here on John Shaqi.
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