The clothes were still lying on the bed, the underwear and bed-linen on
the floor, and close by were two brown stains, the blood that had
flowed from her wound. The knife, too, was still there.
Lilly restrained her desire to cry, shamed by the presence of the clerk,
who stood there stupidly, whistling, with his lower lip thrust out.
Lilly threw her clothes into the basket-trunk which her mother had
intended to use in moving to the nine-room apartment, added a few pieces
of underwear and some books chosen at random, and then looked around for
mementos. Her brain was befogged. She saw everything and recognised
nothing. But there on the table, there, bound with rubber bands, soaked
in her blood, untouched because no one knew its value, lay the Song of
Songs.
Lilly snatched it up, shut down the trunk lid, and with the score under
her arm, stepped out into the new life, hungry for experience.
CHAPTER VI
Mrs. Asmussen's two daughters had run away from home again. The whole
neighbourhood knew it. Lilly had scarcely set foot in the dusky room
smelling of dust and leather, where soiled volumes on pine shelves
reached to the ceiling, when she, too, became acquainted with the fact.
Mrs. Asmussen was a dignified dame, whom nature had endowed with
gracious rotundity. She received Lilly at the entrance to her
circulating library, and amid kisses and tears declared that even before
seeing Lilly she had conceived a love for her such as she would cherish
for a child of her own; and now that she had met her face to face she
was completely bewitched.
"And people speak of the cold world," thought Lilly, whom this sort of
reception pleased very well.
"What did I say--a child of my _own_? Nonsense! I love you more, much
more, ever and ever and ever so much more. Daughters are venomous
serpents, on whom love is wasted. They are parasites to be torn from
one's breast--torn--"
She stopped because the stupid clerk, who had accompanied Lilly in a
cab, was shoving her trunk over the threshold. After he left Mrs.
Asmussen continued:
Public-domain text, read in full here on John Shaqi.
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