"Jupiter shines on our undertaking. I like him better than Venus, who
runs after the sun and needs a rosy flooring for her feet."
"Which is Jupiter?" asked Lilly standing still.
He eagerly showed her the lord of the heavens and five or six
constellations. Lilly clapped her hands like a pleased child.
"Now I'll always feel at home up there when I'm alone evenings and look
out of the window." She refrained from saying more of what was in her
mind.
While he waited in front of the door, she ran upstairs, turned off the
light, put the key in her pocket, and hastily told Adele she would take
supper out that evening. She lingered for nothing else and came hurrying
down again.
Outside the apartment door she reeled with joy and clung to the post and
sobbed.
But by the time she reached the street her bearing had become quite
proper.
"If you are willing to entrust yourself to my guidance," he said, "I
know a little corner no one would dream of finding us in. It's
practically in Italy."
She drew a deep breath.
"If only he wouldn't speak so much of Italy," she thought, though for
nothing in the world would she have gone elsewhere than to his Italian
restaurant.
They walked along the canal for about five minutes talking nonsense. The
medley of lights of the Potsdamer Brücke was quite near when he paused
in front of a narrow, dimly lighted shop window, where about two dozen
wine bottles wreathed with green cotton vines grew like asparagus out of
sand.
"Here Signor Battistini serves a Chianti, than which none better is to
be had in Florence," he explained.
They entered the shop and crossed a small anteroom, in which the
proprietor, black as the ace of spades, was pasting labels behind the
bar.
"_Sera, padrone_," Lilly's friend greeted him.
From the anteroom they passed into a rather long, hall-like room filled
with simple tables and chairs. The only decoration consisted of
crisscrossed garlands of shiny green paper bits, evidently ambitious of
being considered vine leaves, which twined about the bare gas brackets
and fell over hooks in the walls. To inform the guests of the occasion
for this luxuriant display, a placard hung from the centre wishing them
on this March evening a "Happy New Year."
"What do you say to this fairy garden?" asked Lilly's friend, while the
waiter, black as his master, with an improbable pair of fiery wheels in
his face, beseechingly held out his hands for her cloak.
At the other tables sat young fellows with thick hair, who rolled long,
thread-like cigarettes between their teeth and nearly thrust the
knuckles of their clenched fists in one another's eyes while spouting
Italian with fascinating rapidity.
"Marble cutters," Dr. Rennschmidt explained in a low voice. "Our great
sculptors employ them as assistants. They earn a great deal of money,
and as soon as they have saved enough they return to Italy to establish
a household."
Public-domain text, read in full here on John Shaqi.
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