Two women sat apart from the men. Their black, lustreless hair drawn
very low on their foreheads gave their eyes the appearance of torches
burning in sombre woods. Gold rings hung in their ears, and their
dresses, cut too deep at the throat, were held together by roughly made
brooches. They looked at Lilly's tall figure in envious admiration, then
fell to whispering busily.
Dr. Rennschmidt nodded to them cordially, yet with an indifferent air,
as one who has nothing to conceal or reveal.
"Ballad singers belonging to a Neapolitan folk-song troupe. Their leader
deserted them, and they're now looking for an engagement."
"Where am I?" thought Lilly.
It was like a dream, as if an Aladdin's lamp had transported her to a
strange land. The one thing by which she knew she was in Berlin,
Germany, near the Potsdamer Brücke, was the placard's complacent "Happy
New Year."
"I've been coming here every day since my return," said Dr. Rennschmidt,
after they had settled themselves comfortably in a corner. "I cannot
cure myself of homesickness for the south. The best German cookery has
no charms for me, and I must have my Chianti. But to-day we'll order
some other wine, because you have to cultivate a taste for Chianti."
He nodded to the waiter, Francesco by name--Francesco, as if he had just
stepped from a romance about knights and brigands. The two held a lively
conference, the result of which was a dusty, light-coloured bottle.
The dishes were strange confections of macaroni and meat swimming in
yellowish red gravy.
Lilly could not recall ever having eaten anything so delicious. She told
him so. But what she did not tell him was that she had never in her
life, never since she could remember, felt so good.
The last course was a "_giardinetto_," a "little garden," of mandarins,
dates, and Gorgonzola cheese.
The frothy, yellow wine with an aroma of nutmeg bubbled into the glasses
scattering bright drops.
Leaning against the wall, Lilly let her eyes rest dreamily on her new
friend's face.
He turned his head now this way, now that, with rapid little movements
like a bird's. He seemed constantly alert to observe and absorb. Or
perhaps his manner was due to his desire to bestow some additional
attention upon her. His eyes gleamed with eagerness and exuberance of
life, and the network of wrinkles on his brow rose and fell nervously.
The cloud of wrath on his forehead apparently was nothing more than his
seething ardour.
He had a dear, droll habit which increased the impression of eagerness.
He would raise his outspread fingers to his head as if to run them
through a heavy mass of hair. But the mass was no longer there, and his
hand clapped against his bare forehead and rested there a second or two.
Public-domain text, read in full here on John Shaqi.
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