The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
Therefore do the damsels love thee. How natural for a woman, greatly
admiring, and dotingly attached to her beloved, to think that every
damsel must be enamoured of him! The most probable derivation of the
much-disputed עַלְמָה, is from עָלָה = עוּל, to come up, to grow up;
hence the Poel עוֹלֵל, a growth, a child, עֶלֶם, one growing up; with
the termination –ֶם, (Compare Alma, in Latin, from alo, ἄλδω, and
Fürst, Lexicon, מ 2 c,) and the feminine עַלְמָה, a growing damsel,
without any reference to the idea of virginity, for which בְּתוּלָה is
invariably used; Joel i. 8, not excepted. בַּעַל is here used, not to
indicate that the marriage was consummated, but because the Jews
regarded parties consecrated to each other from the very moment they
were betrothed. Hence Mary is called the wife of Joseph, and he her
husband. (Compare Matt. i. 19, 20, &c.) Other derivations assigned to
עַלְמָה, such as עָלַם = חָלַם, to be fat, full, ripe, marriageable
(Gesenius, &c.), or being excited, hence youth as being peculiarly
subject to it (Lee); or עָלַם, to hide, be concealed, unrevealed,
unknown; hence עֶלֶם and עַלְמָה, persons of a youthful age who were
destitute of the knowledge which springs from sexual intercourse
(Henderson) are exceedingly forced. Jerome’s assertion, as also
Wordsworth’s, on Matt. i. 23, that עַלְמָה, is the designation of a
virgin, because it signifies kept secret, as a virgin is under the care
of her parents, is gratuitous, for עַלְמָה, is formed from עֶלֶם, a
young man, of whom this cannot be said.
4. Oh draw me, &c. The Shulamite wishes that her beloved should not
only come and cheer her fainting heart with the tokens of his love, but
take her away altogether. אַחֲרֶיךָ belongs to מָשְׁכֵנִי. (Compare Job xxi.
33.) So the Chaldee, Immanuel, Luther, Mendelssohn, Kleuker, Percy,
Hodgson, Ewald, Meier, Hitzig, Philippson, &c. The Septuagint renders
מָשְׁכֵנִי, by εἵλκυσάν σε, mistaking it for מְשָׁכוּךָ, and adds לְרֵיחַ
שְׁמָנֶידָ after אַחֲרֶיךָ, evidently an interpolation from the first clause
of the third verse, which the Vulgate, Percy, &c., follow.
Public-domain text, read in full here on John Shaqi.
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