The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
The king has brought me, &c. It was the king, she tells us, who brought
her into his apartments, and thus separated her from her beloved, in
whom, however, she still delights. That this is the import of this
clause is obvious from the words and connexion. The Shulamite began
with invoking her absent beloved in the third person; but no sooner had
she expressed her desire to be with him, than he is, as it were,
present to her mind, and she forthwith, dropping the third person,
addresses him in the second, and so continues to speak to him
throughout the third verse. She begins the fourth verse in the same
way, imploring her beloved, in the second person, to take her away,
telling him that “the king, ‘HE,’ has brought her into his apartments”
(mark the change from the second to the third person); and then
continues and finishes her address to her beloved in the second person.
Now we ask, do not the words הֱבִיאַנִי הַמֶּלֶךְ חֲדָרָיו, the king, “HE,” has
brought me into his apartments, placed between מָשְׁכֵנִי אַחֲרֶיךָ, do “THOU”
draw me after thee, and נָגִילָה וְנִשְׂמְחָה בָּךְ וגו׳, we exult and rejoice in
“THEE,” &c., clearly show that the king here referred to is a separate
person from the beloved to whom the maiden is addressing herself? We
venture to affirm that few readers of the original Hebrew, whose minds
are not biassed by a preconceived theory, can carefully peruse these
three verses without observing that TWO persons are here
introduced—viz. the beloved to whom, and the king of whom, the damsel
speaks. Ibn Ezra, Immanuel, the Anonymous MS. Commentary, &c., could
not help seeing this, and explained the passage, “Were even the king to
bring me into his apartments, I should rejoice and be glad in thee”
(the shepherd). The Septuagint, which is followed by the Vulgate, has
again דַּדֶּיךָ, thy breast, instead of דֹדֶיךָ, thy love; but see supra,
ver. 2.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account