The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
Though my own vineyard, &c. The word כַּרְמִי, is either taken to denote
the Shulamite’s personal appearance, or to mean her beloved: and the
phrase is explained, “Through the constant watch which my brothers made
me keep over their vineyard, I could not take care of (כַּרְמִי) my
complexion; or could not attend to (כַּרְמִי) my beloved.” But it is a
hazardous mode of interpretation to take an expression in the same
verse in an ordinary and in an extraordinary sense, which ought never
to be done unless required by absolute necessity, which is not the case
here. Dr. Good indeed escapes this inconsistency by assigning a
spiritual meaning to כֶּרֶם, (viz. personal estate, one’s own person) in
both clauses; and he submits that “the bride asserts that she had been
compelled to neglect her own person, through the perpetual attention
which was demanded of her by her brothers or sisters in decorating
themselves, or in assisting in their concerns.” But apart from the
unnecessary and unjustifiable deviation from the literal meaning, this
interpretation is entirely at variance with the context. For in the
words, “They have made me keeper of their vineyards,” the Shulamite
evidently means to explain how she came to be exposed to the tanning
sun. Whereas, the supposition of her perpetual attention to the
adornment of her brothers, fails to account for the brown complexion.
If however, with Ibn Ezra, we take these words to explain the severity
of her brothers, everything will be plain and unforced. The damsel
says, “My brothers were so angry—so severe with me that, resolved to
carry out their purpose, they made me keep their vineyards, ובתחילה
קורם זה אפילו כרמי שלי לא נטרתי, a thing which I had never done
before, even to my own vineyard. It is utterly inconceivable how those
who maintain that this Song celebrates the marriage of Solomon with the
daughter of Pharaoh can reconcile it with the facts that the damsel’s
dark complexion is here described as adventitious; whereas the
Egyptians, even of the highest and most secluded classes, are naturally
dark, and that she has been made keeper of the vineyards, which would
ill agree with any prince’s daughter. כֶּרֶם is most probably derived
from כָּרָה = כּוּר, to dig, hence a garden cultivated by means of axes
and spades in contradistinction to fields worked with ploughs and
harrows. (Compare Saalschütz, Archäologie der Hebräer, vol. i. p. 119.)
For the term. –ֶם vide supra, p. 131. שֶׁלִי, i.q. אֲשֶׁר לִי is used
emphatically after כַּרִמִי, to mark the contrast, and not, as Houbigant
erroneously supposes, in the sense of בשלי, tranquillè, mine own
vineyard I kept not quietly.
Public-domain text, read in full here on John Shaqi.
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