The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
same formula re-occurs iii. 5, and viii. 4, to mark, at the end of the
trials, her successful resistance.
8. Hark! my beloved! Having alluded in the preceding Section (i. 6) to
the ill-treatment which she had received from her brothers, the
Shulamite now relates the cause of that treatment. Thus whilst this
narrative forms the connecting link between this and the preceding
Section, it also gradually acquaints us with her history. The
description given of the arrival and conduct of her beloved is very
graphic and beautiful. She first sees him at a distance, bounding over
the hills with the speed of the swift-footed gazelle, and presently he
is found behind the wall, peeping through the window, and imploring her
in the sweetest language imaginable to go with him into the fields and
enjoy the beauties and charms of nature. קוֹל is not קוֹל רַגְלָיו, the
sound of his feet (Ibn Ezra, Hitzig), which could not be heard at such
a distance from the mountains; nor the voice of his song (Döpke,
Philippson), for he could not very well sing when running at such a
speed as here described; but simply means hark! (Ewald, Magnus, Meier),
and is used in animated descriptions to arrest attention, Ewald, § 286
f.
9 My beloved is like, &c. To describe the speed of his approach the
Shulamite compares him to the swift-footed gazelle, and nimble fawn.
This comparison is also used in other parts of Scripture. Thus Asahel
is called light-footed as a gazelle. 2 Sam. ii. 18; Prov. vi. 5; Hab.
iii. 19. “The Eastern buildings generally surround a square inner
court; the beloved is described as gradually making his approach, first
to the wall, then looking through the window.” Here is another
incontestable proof that the object of the damsel’s affection, whom she
describes as coming to her, is not the king, but a shepherd, for the
king could not consistently be represented as bounding over the hills.
Though אַיָּל has a feminine, אַיָּלָה, which is used in ver. 7, yet
instead of its being here לְעֹפֶר אֲיָלוֹת, we have הָאַיָּלִים: see also Ps.
xlii. 2. This is owing to the neglect on the part of the writer to
avail himself of the forms established by usage, Gesen. § 107, 1. Or it
may be that such names were still of a common gender, and the feminines
were only in the process of formation, but not as yet fixedly
established, Ewald, § 175 b. כֹּתֶל occurs only here, but it is evident
from Dan. v. 5, and the Targum, Josh. ii. 15, where it stands for the
Hebrew קִיר, that it means a wall forming a part of the house. The
Sept. has here עַל הָרֵי בָתָר, from ii. 17.
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