The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
explanation, נִרְבָא דְחַמְרָא, flagons of wine, which the Authorized
Version follows, is not borne out by the etymology, nor does it suit
the passages in which this word occurs, and is therefore rightly
abandoned by modern lexicographers. The rendering of Hodgson, “Support
me with cups, around me strew apples;” and that of Michaelis, “Support
me with verdant herbs, spread fragrant fruits under me,” are contrary
to the meaning of the words.
6. Let his right hand, &c. The pressure of the attempts to alienate her
affections from him whom her soul loveth, and the burning desire to be
re-united with him, though well sustained by her noble mind, yet
overcame her body; and whilst momentarily sinking beneath the weight,
the Shulamite desires that no other hand should raise her drooping
head, no other arm support her exhausted frame than that of her
beloved. This verse is to be taken in the optative mood. Comp. Ps. vii.
9; xlv. 2; Ewald, § 329 a.
7. I adjure you, &c. Having evinced her warm and undiminished
attachment to her beloved shepherd, the Shulamite adjures the court
ladies, who, as we have seen, tried to gain her affections for the
king, by everything dear and lovely, not to excite her love for anyone
else till her own (אהבה) affections wish (דוד אחר) for another
object. The gazelle, צְבִי, so called from the beauty of its form, is
an animal of the antelope kind, of very graceful and elegant figure,
has very slender limbs, large and soft eyes. The great admiration in
which this animal was held in the East, made the Hebrews use it as an
emblem of everything beautiful (Prov. v. 19); and from its being
charming and lovely, it also became an object by which to swear. Such
adjurations are frequently used in the East. Comp. Reland, de Religio
Mah. ii. p. 164: Rosenmüller, Orient. i. 146; v. 22. Dio, in the Æneid,
lib. iv. 314; Bochart, Hieroz. i. p. 899. אֶתְכֶם, mas., for אֶתְכֶן,
fem. Both masculine pronouns and verbs are sometimes used in reference
to objects which are feminine. See Gesenius, § 121, Rem. i. § 137, 1;
Ewald, § 184 c. אִם, after formulæ of swearing, has the effect of a
negative particle (Isa. xxii. 14; Prov. xxvii. 14). This is owing to a
part of the oath being omitted. Comp. 2 Sam. iii. 35; Gesen. § 155, 2
f.; Ewald, § 356 a. עוּר, here, is not to arouse, to wake from sleep
(Gesen.), but to rouse, to excite the passions, affections; thus הֵעִיר
קַנְאָה, he will arouse his zeal, Isa. xlii. 13; Prov. x. 12. The
repetition of the same verb in the Hiphil and Piel expresses intensity,
Isa. xxix. 9; Zeph. ii. 1. אַהֲבָה is the abstract, love, affection,
iii. 10; vii. 7. After שֶׁתֶּחְפָּץ supply דוֹד אֲחַר. Similarly, Rashbam.
The Sept. strangely renders בִּצְבָאוֹת אוֹ בְּאַילוֹת הַשָּׂדֶה, ἐν δυνάμεσι καὶ
ἰσχύσεσι τοῦ ἀγροῦ, by the powers and virtues of the field. Thus in
this scene, the first attempts, both on the part of the king and the
court ladies, to win the Shulamite’s affections, signally failed. The
Public-domain text, read in full here on John Shaqi.
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