The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
16. My beloved is mine, &c. The Shulamite tells the court ladies how
she had consoled herself under these circumstances of separation:
“Though my brothers succeeded in separating us bodily by assigning to
me this post of keeping the vineyards, yet our affections are
inseparable; and though still separated from me, my beloved is mine and
I am his; his who tends his flock in the meadows abounding with
flowers.” It seems as if the words, “he who feeds his flock among the
lilies,” were designedly added, whenever the damsel speaks of her
beloved, to show unmistakably that he was a shepherd. How such passages
can be reconciled with the supposition that the king is the object of
the maiden’s attachment, or, according to others, that the maiden is
the daughter of Pharaoh, is difficult to divine.
17. When the day cools, &c. She also relates how she had comforted her
beloved, telling him that this state of separation would not last long;
that he must come in the evening, when unobserved, with the same
swift-footed speed as he came in the morning. עַד שָׁיָפוּחַ הַיּוֹם, i.q. עַד
שֶׁיָפוּחַ רוּחַ הַיּוֹם, when the day breeze blows, i.e. in the evening,
shortly before sunset, when a gentle and cooling breeze blows in the
East (see Pliny, Hist. Nat. ii. 47); hence רוּחַ הַיּוֹם, Gen. iii. 8,
opposed to חוֹם הַיּוֹם, xviii. 1. That this is the sense of שֶׁיָפוּחַ
הַיּוֹם, and not day-break (English Ver.), or morning-breath (Good), is
evident from the immediately following וְנָסוּ הַצְלָלִים, which expresses
the same idea in other words, i.q. evening; comp. Job xiv. 2. The
shadows are said to flee away when at sunset they become elongated and
stretched out; thus as it were run away from us, further and further,
till they eventually vanish in the dark of night. Hence David, speaking
of the approaching sunset of his life, says, יָמַֹי כְּצֵל נָטוּי, My days
are like an elongated shadow, Ps. cii. 12; cix. 23. Comp. also Virg.
Eclog. i. 84, and ii. 66. So Herder, Kleuker, Ewald, Gesen., Döpke,
Rosenmüller, Magnus, Heiligstedt, Fürst, Philippson, Meier,
Hengstenberg, Hitzig. The rendering of Hodgson, Good, &c., “till the
day-breath,” and their reference to the passage of Milton, “Sweet is
the breath of morn” (Par. Lost, iv. 641), is gratuitous. The words הֶרֵי
בָתֶר are rendered by the Sept. ὄρη τῶν κοιλωμάτων, mountains of
cavities, i.e. decussated mountains, from בָּתַר, to divide, to cut,
which Gesenius and Heiligstedt explain, a region divided by mountains
and valleys, but very unsatisfactorily. The Syriac and Theodo. have
θυμιαμάτων, taking בָּתֶר for בְּשָׂמִים, which is adopted by Meier; but
this emendation is unsupported by MSS., and has evidently arisen from
viii. 14. The Vulg. and Rashbam take בָּתֶר as a proper name, montes
Bether; but neither place nor mountain is known by such name. The
Chald., Ibn Ezra, Rashi explain הָרֵי בָתֶר by mountains of separation,
i.e.
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