The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
4. Thy neck is like, &c. That is, “The erect and bold carriage of thy
neck, decked with ornaments, resembles that high, commanding tower,
adorned with trophies.” Though the text supplies us with no clue for
finding out what tower this was, yet the comparison implies that it
must have been one well known and celebrated for its imposing aspect
and symmetrical proportions. Sandys (iii. 137), who is followed by
others, identifies this tower with some ruins still found in the
uttermost angle of Mount Zion, which bears that name. תַּלְפִּיּוֹת is
rendered by the Sept. Θαλφιώθ, as a proper name; but there is no place
known by such a name. Aquila has εἰς ἐπάλξεις: so Vulg. cum
propugnaculis, battlements, Sym. ὕψη, heights; but it is difficult to
divine how these renderings are to be made out from the form and
meaning of the word. The Talmud Jerushalmi, Berachoth, section 4, and
Saadias explain it תל שהכול פונים לו, an elevation towards which all
look, i.e. by which they are guided. Ibn Ezra seems to favour the view
that לְתַלְפִּיּוֹת is a compound of לְתַלוֹת פִּיוֹת, for the suspension of
arms. But the Talmudic explanation rests upon the favourite whim of
making a word of every letter. Ibn Ezra’s explanation incurs the
objection that פִּיוֹת, by itself, never means swords or arms. Besides,
it is evident that this interpretation owes its origin to the
immediately following clause, אֶלֶף הַמָּגֵן תָּלוּי עָלָיו. Gesenius derives it
from the Arabic תָּלַף, to destroy; hence תַּלְפִּי, destructive, deadly;
poetically, for arms. But, apart from the difficulty of making
תַּלְפִּיּוֹת, even according to this derivation, to mean weapons, according
to this rendering there is no connexion between this clause and the
figure. It is therefore better, with Rashi and Rashbam, to take
תַּלְפִּיּוֹת as a contraction for תְּאַלְפִּיּוֹת from the root אָלַף, to teach.
The radical א in the feeble verbs פ״א, does not unfrequently fall
away: thus וַתַּזְרֵנִי, 2 Sam. xxii. 40, for וַתְּאַזְּרֵנִי, and in the same
verb, מַלְּפֵנוּ for מְאַלְּפֵנוּ, Job xxxv. 11; Gesen. § 68, 2; Ewald, § 54.
תַּלְפִּיּוֹת (plur. of תלפית, according to the analogy of תַּבְנִיוֹת, from
תַּבְנִית, תַּרְמִיוֹת, from תַּרְמִית), would therefore signify instruction;
the plural being here used for the abstract, see supra, i. 2. This
derivation is confirmed by the Chald., which periphrases תַּלְפִּיּוֹת by
אוּלְפַן דְּאֹורַיְתָא, instruction of the law, and bears out the figure, and
yields a beautiful sense. The Shulamite’s neck is not compared to some
common turret, but to that splendid tower which was built for a model,
that, as Rashbam rightly remarks, כל אומנין בנאים מתלמדים ממנו, all
architects might learn their designs from it.
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