The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
6. Thy head upon thee, &c. כַּרְמֶל stands here for כַּרְמִיל, purpura; so
Ibn Gamach, Ibn Ezra, Fürst, &c. This shell-fish is of a spiral form,
and “the exquisite juice which is so greatly sought after for the
purpose of dyeing cloth is situate in the middle of the throat. This
secretion consists of a tiny drop contained in a white vein, from which
the precious liquid used for dyeing is distilled, being of the tint of
a rose, somewhat inclined to black.” Pliny, Hist. Nat. ix. 60, 61;
Arist. Hist. Anim. lib. v. c. 14. The simile here subsists between the
spiral form of this shell-fish and the pyramidal shape in which the
hair was anciently tied up on the top of the head. The Chinese and
other Eastern women still wear their hair rolled up into a knot or
bunch at the top of the head; and even in this country ladies used to
dress their hair in a somewhat similar manner. The rendering of the
ancient versions of כַּרְמָל, by Mount Carmel, which the majority of
modern interpreters follow: they take the simile to be between the
beautiful appearance of the bride’s head and the charming, luxuriant,
and picturesque summit of this celebrated mountain; but this is against
the parallelism and 2 Chron. ii. 16, 13; iii. 14. כַּרְמֶל = כַּרְמִיל is
derived from כָּרַם, to be shiningly red, with –ִיל appended, according
to the analogy of פְּתִיגִיל; vide Fürst, Lexicon in voce; or it may be
that this shell-fish was so called because it was found on the shore
near Carmel. At all events, there is no need to look for the etymology
of this word out of the Shemitic family.
And the tresses, &c. Fine hair is frequently compared by the Greeks and
Romans with purple. Thus Anacreon, xxviii. 11, 13.
γράφε δ’ ἐξ ὅλης παρειῆς
ὑπὸ πορφύραισι χαίσταις
ἐλεφάντινον μέτωπον.
Then paint, from her full cheeks,
Beneath her purple hair,
Her ivory forehead.
Compare also Virgil, Georg. i. 405; Tibul. i. 4, 63. The purple here
referred to is that kind which Pliny describes as “nigrans adspectu
idemque suspectu refulgens.” אַרְגָּמָן, the costly colour extracted from
the shell-fish, is from רָגַם, kind. רָקַם, to colour, with the
prostetic א and termination –ָן; vide supra, chap. iii. 9.
The king is captivated, &c. The ringlets, like the lashes of the
eyelids, are frequently represented as the net of love. Prov. vi. 25;
Sirach ix. 3, 4. Thus Jami, in his Joseph and Zuleikha, chap. i., as
quoted by Dr. Good, says:—
“When Love in graceful ringlets plants his toils,
The fool he catches, and the wise man foils;
But, thence released, the sage his snare discerns,
And Reason’s lamp with wonted lustre burns.”
Public-domain text, read in full here on John Shaqi.
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