The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
11. Come, my beloved, &c. Having distinctly and finally refused the
king, who forthwith quitted her, the Shulamite now addresses her
beloved shepherd, who approached her, urging their departure from the
royal palace for their festive bowers in Nature’s hall. The want of
separate names, or initial letters of names, generally used in profane
composition to indicate the speaker or the person spoken to, is amply
supplied here by the skill of the inspired poet in putting into the
mouth of the Shulamite such rural language as shows most plainly that
she was a rustic maiden, and that her beloved, whom she here addresses,
is a shepherd. Comp. also chap. i. 7; ii. 8; v. 2, 4, &c. To ascribe
these words to a princess addressing king Solomon is preposterous.
Döderlein, Ewald, Meier, &c., take כְּפָרִיﬦ as the plural of כֹּפֶר,
cypress, vide supra, i. 14; iv. 13; but 1 Chron. xxvii. 25, where
כְּפָרִיﬦ, like here, coupled with שָׂדֶה, field, forms a contrast to
עִיר, city, is against it. הַשָּדֶה is the accusative of place, 1 Sam.
xx. 11; Gesen. § 118, 1.
12. We will go early, &c. Transported with the thought of her speedy
arrival at her mother’s house, the Shulamite vividly depicts to her
beloved the scenes of home, where they will again together enjoy rural
life. It may be that Milton thought of this passage when he wrote the
words:—
“To-morrow, ere fresh morning streak the east
With first approach of light, we must be risen,
And at our pleasant labour, to reform
Yon flowery arbours, yonder alleys green,
Our walks at noon with branches overgrown.”
Paradise Lost, iv. 623, &c.
נַשְׁכִּימָה לַכְּרָמִים is constructio praegnans, and is well explained by
Rashbam, נשכימה לטייל בכרמיﬦ, “we will rise early to stroll in the
vineyards.” Comp. Gen. xliv. 33; Numb. xiv. 24; Gesen. § 141.
There will I give, &c. The shepherd, gladdened with the fact that his
loved one is restored to him, is desirous of expressing his joy and
affection, but the Shulamite, anxious to get off as quickly as
possible, tells him that at home, amidst the charms of nature, they may
indulge in sweet effusions of love. The Sept. and Vulg. have here again
דַּדַּיִם, breasts, instead of דֹודִים, love. But in addition to what has
already been remarked, we would state that whenever breasts are
mentioned in this Song, שָׁדַיִם is invariably used.
13. The mandrakes diffuse, &c. Another reason for hastening away from
the royal prison into the rural home. There nothing will be wanting;
they have there the highly prized apples, they have all sorts of
precious fruit, which she left on the trees for him. A similar passage
occurs in Virgil, Ecl. i. 37, where the loved one kept fruit on the
tree for her lover:—
Mirabar, quid moesta deos, Amarylli, vocares;
Cui pendere suâ patereris in arbore poma:
Tityrus hinc aberat.
Public-domain text, read in full here on John Shaqi.
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