If he felt that he was disturbing her too often, he perched on the
dogwood and sang for life, and love, and happiness. His music was in a
minor key now. The high, exultant, ringing notes of passion were
mellowed and subdued. He was improvising cradle songs and lullabies.
He was telling her how he loved her, how he would fight for her, how he
was watching over her, how he would signal if any danger were
approaching, how proud he was of her, what a perfect nest she had
built, how beautiful he thought her eggs, what magnificent babies they
would produce. Full of tenderness, melting with love, liquid with
sweetness, the Cardinal sang to his patient little brooding mate: "So
dear! So dear!"
The farmer leaned on his corn-planter and listened to him intently. "I
swanny! If he hasn't changed his song again, an' this time I'm blest
if I can tell what he's saying!" Every time the Cardinal lifted his
voice, the clip of the corn-planter ceased, and Abram hung on the notes
and studied them over.
One night he said to his wife: "Maria, have you been noticin' the
redbird of late? He's changed to a new tune, an' this time I'm
completely stalled. I can't for the life of me make out what he's
saying. S'pose you step down to-morrow an' see if you can catch it for
me. I'd give a pretty to know!"
Maria felt flattered. She always had believed that she had a musical
ear. Here was an opportunity to test it and please Abram at the same
time. She hastened her work the following morning, and very early
slipped along the line fence. Hiding behind the oak, with straining
ear and throbbing heart, she eagerly listened. "Clip, clip," came the
sound of the planter, as Abram's dear old figure trudged up the hill.
"Chip! Chip!" came the warning of the Cardinal, as he flew to his mate.
He gave her some food, stroked her wing, and flying to the dogwood,
sang of the love that encompassed him. As he trilled forth his tender
caressing strain, the heart of the listening woman translated as did
that of the brooding bird.
With shining eyes and flushed cheeks, she sped down the fence. Panting
and palpitating with excitement, she met Abram half-way on his return
trip. Forgetful of her habitual reserve, she threw her arms around his
neck, and drawing his face to hers, she cried: "Oh, Abram! I got it!
I got it! I know what he's saying! Oh, Abram, my love! My own! To me
so dear! So dear!"
"So dear! So dear!" echoed the Cardinal.
The bewilderment in Abram's face melted into comprehension. He swept
Maria from her feet as he lifted his head.
"On my soul! You have got it, honey! That's what he's saying, plain
as gospel! I can tell it plainer'n anything he's sung yet, now I sense
it."
He gathered Maria in his arms, pressed her head against his breast with
a trembling old hand, while the face he turned to the morning was
beautiful.
Public-domain text, read in full here on John Shaqi.
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