The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
The crossing of that river in the morning marked a new stage in the
making of the regiment. We entered upon our first real discipline, and
it was that of the march. Our tramp through Maryland, which had seemed
so severe, was really child's play. Now we were part of a great
campaigning host, a mere unit in the moving mass in which we must
perforce keep our place. The discipline of the march may seem very
simple, and it is in fact, simpler in some ways than people suppose who
have formed their ideas from what they have seen in city parades. The
tactics of the march are elementary. The soldier must know how to keep
his place in a column of fours; the regiment must be able instantly to
form in line. That is about all. On the march there is no attempt at
keeping step; there is far less apparent order than in a political
parade. Each man carries his gun as he pleases, only so that he
interferes with no one else. Yet, with loose order and apparent freedom
there is really severest restraint. The ranks must be kept closed up;
to lag, even when you are most weary is a fault; to drop out of your
place and "straggle" is a crime. A man is but a cog in the wheels of a
remorseless machine, and he must move with it. The march is an art
which some otherwise well-drilled troops are slow in acquiring. A
regiment of infantry is seldom allowed the road. When an army is moving
through a hostile country, the roads are monopolised by the artillery
and the supply and ammunition trains; foot soldiers must take to the
fields, find a way over ploughed ground or meadow, through fences,
through brush, through woods, across bridgeless streams. In spite of
obstacles the column must press on keeping its formation intact, and
keep closed up. This is no simple matter.
Public-domain text, read in full here on John Shaqi.
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